When contacted by Homespun Haints about doing a podcast segment, I was, at first, a little reserved. I mean, what I do is very intimate. But the ladies handled the subject about sculpting the deceased with great dignity. I thought I would put together a blog post with some links to the things we talked about on the show. If you have not heard it yet, here is the link to the podcast The Woman Who Sculpts the Deceased.
I mentioned that Texas Country Reporter did a wonderful segment on my work with deceased loved ones. Here is that video.
“Bringing To Life The Spirit of The Deceased A Sculptor’s Journey” is the name of the book that I wrote in my undergraduate studies about my work with the deceased. I wish I had a publisher for it. I have been searching for a new publisher and or agent for several books. In this book, I documented four commissions Lucas, Patsy, Janine, and Richard. I also recored what it took to make those commissions, the unusual experiences and some of my journey about this gift, and the overabundance of empathy that enables me to connect to the deceased through their surviving loved ones.
It is true. I develop a relationship with the deceased through my artwork.
For those interested in knowing some of the research, I loved studying Paul Eckman’s facial action coding system and its relation to my ability to “feel” things from my subject matter. Funerary art is a fascinating subject, and the psychology and science behind the face and emotion will always intrigue me.
I mention the mirror neuron study. PBS has a great episode on Mirror Neurons for anyone interested. Neuroscientist Vilayanur Ramchandran has some excellent research on this subject.
- In my undergraduate research, I asked two questions.
1. How do I capture the essence of someone I have never known. 2. How do I cause an emotional reaction from my viewer. Of course, I had to take a hard look at my heightened empathy. You can imagine when, at the end, through the commission that was a suicide I discovered the science behind what I do. It blew my mind.
- The sculpture commissions I spoke about were Lucas, Patsy, Norma Janean
- I love cemeteries and the cemetery sculpture I spoke of was of Victor Noir in the Pere Lachaise cemetery. “The statue of Victor Noir, famous for a protuberance in its trousers, has been touched by thousands of women since being placed in the Pere Lachaise cemetery in Paris in 1981.”
- On the Homespun Haints podcast I spoke of the podcasts that my mother and I did. Actually it was mom, my daughter and myself. “Inspiration Generations, Three generations of christian women share their thoughts about different issues and aspects of life.” I started these because mom was homebound or often bed bound and this was her ministry. Here are some of the ones that I think might be of interest.
This podcast talks about the unusual circumstances and visits that Barbara had while in the hospital. The deceased came to visit. The experience of helping Barbara transition from this world to the next was incredible. Her daughter and granddaughter share some of the beautiful spirit lead moments before Barbara’s death and how God had the entire experience in his hand.
In loving memory of our co-host mom and grandmother, Barbara Ingersoll
On August 17th, 2009, Barbara Ingersoll went to be with the Lord. However, she will be greatly missed; however, her ministry and this podcast continue with her many years of journals.
In this one I talk to mom about the death of a mom, just a few months before her death. Death is inevitable, but no one wants to go through the process of losing their mom or dad. It is part of being in the “sandwich” generation, and Bridgette shares her recent experience of holding her best friend’s hand as she sits in ICU and then the death of her friend’s mom. The women share the Jewish traditions of death and burial and the connection between Bridgette and her best friend.
Then the women talk about gaining wisdom as we grow, and as we gain experience, we help the generations that come after us.
I have not talked about all of this in a long time and it was fun for me to revisit the commissions, the unusual circumstances and my documentation. It has been a fascinating journey, as is each new deceased loved one that I get to meet.