Art and Science are being merged in many different ways. It was not long ago that I interviewed Oron Catts from The University of Western Australia. In an online podcast. we talked about how they are combining artists and scientists in a collaborative research laboratory.
The Museum of Modern Art (MOMA) began to see the importance of this marriage of art and science as they presented the exhibit Design and the Elastic Mind.
As their website states, “Design and the Elastic Mind explores the reciprocal relationship between science and design in the contemporary world by bringing together design objects and concepts that marry the most advanced scientific research with attentive consideration of human limitations, habits, and aspirations. The exhibition highlights designers’ ability to grasp momentous changes in technology, science, and history—changes that demand or reflect major adjustments in human behavior—and translate them into objects that people can actually understand and use. This Web site presents over three hundred of these works, including fifty projects that are not featured in the gallery exhibition.”
And now biologist are working with animation to create what is known as a new field of molecular animation. As expressed in this new York Times article, Where Cineman and Biology Meet
Inside the New World of Molecular Animation
Now, wouldn’t it be fascinating if Harvard developed a program that would combine animators with biologists as The University of Western Australia has done with science and artists? Some biologists, like Dr. Iwasa, with a grant from the National Science Foundation, traveled to California to learn animation along side those hoping to enter Pixologic. Dr. Iwasa wanted the knowledge of the animation tools to depict biological information not to animate Woody!
My intrigue with this meeting of science and animation stems from my husband Mike delaflor, a medical illustrator. Mike’s desire is to make science more accessible and understandable. He is thrilled about the idea of this new field and would like to be a part of it.
I think it’s a gold rush right now. Because a lot of the things that we have shown, have never been shown.Robert Lue, Ph.D. Professor of Molecular and Cellular Biology Harvard University.
The posted movie “The Animators of Life” talk about this new and enticing field. We will be watching closely. So Harvard, open this relationship further and encourage this marriage of animators and biologists as The University of Australia did with science and art. By the way, bring on medical Illustrator Mike de la Flor.
Bridgette Mongeon is a sculptor, writer and educator as well as a public speaker.
Her blog can be found at https://creativesculpture.com.
She is also the owner and creator of the God’s Word Collectible Sculpture series
Listen to The Creative Christian Podcast or the Inspiration/Generation Podcast Click on Podcast Host Bios for a list of all podcasts.
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I’m a genius, or maybe my brain just thinks such radical thoughts that now and again I think like a genius. For those of you who don’t know, my graduate study at Goddard College consists of research that bridges the gap between the traditional studio and new technology. For a sculptor, such as myself, this technology is based on something that I call tradigi sculpting which utilizes both traditional and digital means to create artwork. My research is evaluating digital milling. Digital milling is taking my artwork, scanning it and then enlarging or reducing it to be milled out in foam, wood or stone. Digital printing is another resource and a technology that is quickly growing and changing. It is when a computer and a digital printing machine slowly prints, layer by layer, in 3d. What you end up with is a physical object. Yes, I know it sounds like the replicating machines on Star Trek, but this is not science fiction.
Recently I uncovered the work of both Sebastien Dion from the Center for Applied Technology at Bowling Green University in Ohio and Solheim Rapid Manufacturing Laboratory at the University of Washington in Seattle. Both have been researching and printing in ceramic. Solheim has even printed their ceramic “recipe” in the Ceramic Arts Daily, February 1, 2009, article “The Printed Pot.”
As my research continues, I thought, “It appears that 3D digital printing is all about having the right “recipe”. It is just coming up with the correct binder and the correct material to fuse.” This is where my brain started to go into genius mode and my research landed on what I’m about to share. I know that Science is using 3D printing to help them visualize scientific data. For example space physics simulations or molecular models that help scientists visualize proteins. This allows scientists a way to examine information in a physical way that has never been available to them prior to 3D printing.
Science is also using 3D printing to print a medical implant that fits perfectly with a patient. The reason is that it is created from MRI scan data of a patient. ) Surgeons can also use 3D printing to help them with their surgeries. By having the physical replica of a patient they can practice surgery or see complications. 3D prints are also used in education. How about printing skin in a 3D digital printer? Just think what this would mean to a burn victim. Or how about replicating a bone with 3d printing? And doing so out of bone material to replace a patient’s own shattered bone? Because our bodies are symmetrical a left arm bone could be recreated by using images of the right arm.
If all of this technology and 3D printing is not fascinating enough, I thought, “If it takes just the right binder and recipe, is it possible to print organs?” I was afraid to even say it out loud to my husband, a medical illustrator, who I knew would at least hear my crazy idea and not laugh too hard. But with further research, I turned out not to be so mad after all. Indeed 3D organ printing is happening or at least being studied. Here are some journal articles and videos to prove it. This is absolutely fascinating! Just check out the video with Dr. Gabor Forgacs, University of Missouri-Columbia. He talks about how the bio printer prints out living cell clusters drop by drop that fuse together to create tissue structures. Have a damaged organ? One day they will be able print out the organ needed and do it using your cells! Perhaps the printer will print within your own body cavity. Yes, there is still some headway to be made with this technology, but the technology is here and on it’s way. My crazy thinking is actually genius!
by Bridgette Mongeon
At and Technology Podcasts coming April/May 2010
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