STUDENT, TEACHER AND ALUMNI CHALLENGE

While visiting the Houston Alumni group  I was able to hear their song and some of their cheers.  Boy, when we are working late nights in the studio, being able to listen to a cheer would be just the thing to get us into that tiger mode. So here is your challenge. Shoot a creative video of yourself or a group doing a cheer and send it to us so we can listen and post it on the blog. Be creative.  Show us something that depicts your school spirit and help to make this tiger roar.

My Distractions

I’m not always sculpting.  It is true that I have a life beyond the Grambling tiger, though I have to say, the tiger holds a great deal of my attention, even in my dreams.  My biggest distraction is the birth of my new granddaughter Issabella, but you could say that we sacrificed her to the Grambling Tiger as well. Now don’t get upset with me, I didn’t come up with this idea on my own. It was my daughter who thought of it as we were wandering around the studio looking at the progress. Christina is a very creative person, and by the way, my photographer from Diliberto Photo and Design. We both kind of made up with the idea of putting Issa in the mouth of the tiger. 

Presented The Tiger Process At The Houston Alumni Group

This past Saturday I went to the Houston Grambling Alumni group to present how the sculpture is coming along. The best part was to hear the school cheer.  I think everyone enjoyed the presentation.  I volunteered to come back and to show more slides when it was further along.

“How can we get involved,”someone from the group asked. Well if you are following the blog you know that we have been looking for warehouse space to put the sculpted tiger together.  That means I have to move my entire studio. So we may need helping moving the tiger pieces and the studio to the “temporary” location. Moving within the next week or so.

Sorry I don’t have pictures, I thought I saw someone taking pictures, if they want to send them to me I’d be happy to post them on this post.

The Rock

The rock is pretty much complete, thanks to the wonderful milling at Across the Board Creations  They were able to take my digital model of the rocks and enlarge it along with the cat.  It has come in sections so that we can take different sections of the rock down and work on the paws attached to the rock.  We painted the rock to look the same color as the clay.

The foam rock comes in pieces. 
It is like putting a puzzle together. 
Please don’t climb the rock.  Note:  The artist is not responsible
for injuries or death caused by interacting with this sculpture.
Do as I say, not as I do.  It is very tempting.
There is little that needs to be done to the rock.  I have created
a few sitting ledges for photo opportunities.  I will need to
check these out.  I like the design of the rock digitally, but
seeing it this large gives me an opportunity to inspect how
it works in real life. We painted it the same color as the clay.
This will help both my client and I to see how they
work together. 
I have taken the top portion of the rock down to see how
it works with the top most paw. 
Here is the digital version of the entire rock
in about the same position as it is in the picture
where I am pretending to climb. 

Delivering The Praying Man Sculpture

Very overcast as we drive the lovely spring drive from Houston to Dallas. Wildflowers dotted the path as we drove.  

We arrive onto the DBU campus ready to complete the praying man sculpture project. The last few steps are

1. Deliver 2. Install 3. Dedicate
Of course we are not doing the installation or dedication so we can only hope picture of both of these come back to us for the blog. 

I’m always so excited to see the sculpture of Sam Houston by my friend David Adickes.  It says goodbye when we leave
and greets us when we arrive home. 

Also, we are working on a small table top version of the sculpture for purchase. Stay tuned to this blog for more on that. The travel time up to Dallas was nice. Overcast- I prayed the rain would hold off until it was delivered.  It didn’t start raining on us until we got into Dallas.  

Everyone contemplates removing the sculpture.
I have sent a text on ahead and said, “have lots of strong men, gloves and a covered area
to unload.”  Everything is in place when we arrive. 
It is raining and I’m so thankful for a covered area to unload.
Team work and a little prayer. Our burden is light, but the praying man is heavy.
It is estimated to weight about 350-370. 
I explain the process of installation as the sculpture is
covered.  We are on our way back home in no time.
My job is done, until we begin the process of manufacturing
the small sculpture of the praying man. 

Loading /Of The Praying Man Sculpture

It is necessary to make a template for the sculpture. Bolts are
welded in the underside of the sculpture. Threaded rods
are put into these bolts. Holes will need to be drilled in the
concrete where this sculpture is placed.  A template will help
my client install the sculpture.  

Whenever I am going to deliver a sculpture weather is an important factor, especially if it is big.  We had not had rain in a while in Texas and sure enough, the day I have slotted for delivery, the forecast says heavy showers.  

I’m thankful that we have no rain while loading the sculpture up in Houston.
How do we get it in the van?  An engine hoist and two creative foundry men assist with this.

We are blessed with no rain, until we reach Dallas. The trip home is another story entirely.

Going for a ride down a ramp.  
The sculpture is hoisted onto the waiting pallet
No, he is not putting on the prayer covering, this shirt is
protecting the bronze. 
An engine hoist works perfectly to get the sculpture
into my awaiting van. 
Miguel is a wonder when it comes to the foundry. I trust this
man with all of my creations. 
Strapping down the sculpture, just in case.
My template is packed, I have the threaded
rods and we are on our way.

The Head

We are spending a lot of time on the tigers head.

The foam still needs more detail and I spend a great deal of time carving and sanding the foam. 
Foundry wax is brushed onto the foam. This gives the clay something to hold onto and makes the removing of the clay much easier.  The clay that is going on this cat has been used in many different projects.  

Each part of the anatomy is looked at very carefully.  Because this sculpture is so large and the face is seen from a distance, an artist must know how to exaggerate features so that they can read when it is complete, in bronze and from a distance. 
The face is taking a tremendous amount of time, but it is what everyone is going to be looking at.