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A Writer’s Prayer
The Writer’s Prayer
By Sandy Tritt
Open my mind, Lord. Grant me the talent to write with clarity and style, so my words go down rich and smooth, like fine wine, and leave my reader thirsty for more.
Open my heart, Lord. Grant me the sensitivity to understand my characters—their hopes, their wants, their dreams—and help me to confer that empathy to my reader.
Open my soul, Lord, so I may be a channel to wisdom and creativity from beyond my Self. Stoke my imagination with vivid imagery and vibrant perception.
But most of all, Lord, help me to know the Truth, so my fiction is more honest than actuality and reaches the depths of my reader’s soul.
Wrap these gifts with opportunity, perseverance, and the strength to resist those who insist it can’t be done.
Amen. ~ Sandy Tritt
© 1999 Sandy Tritt. All rights reserved. www.InspirationForWriters.com
The Writer’s Prayer may be reproduced if this entire copyright permission notice and web address (InspirationForWriters.com) is included. If you’d like a glossy ormagnetic copy of the Writer’s Prayer for yourself, or multiple copies for your writer’s workshop or conference, please email Sandy. There’s no charge as long as the shipping address is within the US.
New Posts To Come!
Sorry for the lull in posting. I took the plunge to have that needed hand surgery. Will be good as new very soon. Looking forward to sculpting and writing again without pain.
Keep Creating And Running Into Brick Walls!

I’m working in zbrush and trying to learn how to translate what I know from Mudbox and traditional art into Zbrush. Now, many people say that Zbrush is very hard to use. I would probably agree, but it is also because it does so much. I can see these two programs, added to the technology of 3d printing and milling that I have been studying and wrote about in the mudbox book, as giving me so many more tools in my traditional process. For example, I now can create portraits in stone, and do architectural elements quite easily. It is thrilling. I have been working on a tutorial to create this fancy looking building. The tutorial can be found on the pixologic website. But I have added a thread with all of the videos and the complications and problems that I find with the process on our Digital Sculpting.net website. I’ll keep the thread going as I progress with this tutorial. I’m including a picture of my column.
If you are reading this from facebook and would like to see the photographs that go with this post please visit https://creativesculpture.com/blog
A little Something I’m Working On
It seems like I’m working on a lot of little somethings. But what happens is I get going and then get stuck and have a question so I have to stop on it until I figure out the answer. This is a bas relief. My thought is that it could be made into a cameo.
More Quick Sketches But In Zbrush
Another Armature- A Scary Digital Tree- Work In Progress
A New Piece Of Art- This Time Digital Art
I have been working very intensively with Zbrush since finishing up the Mudbox book. (Sculpting in the computer is much easier on my hands, and a welcome change until my hand surgery. ) I have wanted to really get into it. So here is my art nouveau fish. I have tried him in several different materials. Still have not painted him. But what fun it will be to play with him some more.
A Creative Way to Use Change To Your Artistic Advantage
In my past post titled Are You A Starving Artist? Art In The Times of Change. In the articles I talked about how our art, and the use of our art must change. I examined four stories. The Second story talked about infringement of copyright and how artists were using it to their advantage instead of freaking out. How? That is a question I ask myself regularly. I’m intrigued with how artists are doing this. I’m inspired by it and so I found this TED video that I thought depicts this quite well. How YouTube thinks about copyright by Margaret Gould Stewart
Are You A Starving Artist? Art in The Times of Change.
And the times they are a changing. Life and an artist’s life are full of change. Change may be one of those elements that are necessary for success as an artist, however, creative people like to dance to their own drummer and therefore, often resist the change. Here are three stories to relate to this change.
Story 1- Mad Hungry Artists
I had a recent conversation with a very good artist friend who was distraught because he was getting messages from the list serve in his e-mail box regularly with threads from fellow artists, seasoned, professional artists in their field. (This field requires very specific training.) The artists were distraught with the field and were ready to throw up their hands and give in, even take on other jobs that were not related to art. Many of these artists have had no work for months.
My friend said the posts bothered him so much he thought about quitting the list serve. It is important to point out that this friend has more work than he can handle. So what is the difference between all of these people and this friend? I’d have to say they have “resistance to change.”
My friend embraced new technology within his career. Some of those artists want to create traditional pen and ink illustrations or watercolors. It is honorable but that industry is demanding more technology out of those artists. My friend embraced that and made it work for himself.
Story 2 – The Law
While examining the new Copyright issues that are involved with the creation of 3d artwork I was speaking to a lawyer. He said that indeed, this new technology could play havoc on the legal issues surrounding digital art. He mentioned that it is the same as it was for musicians who had mp3’s come out and their music was being distributed without compensation. He mentioned that the musicians that did well with this imposition were those who didn’t fight against the inevitable change but instead embraced it and tried to figure out how to use it to their advantage.
Story 3 – The IRS
The IRS website made this simple statement that has stuck out for me. It was based on the questions to ask yourself if you need to decipher if what you do is a business or a hobby. The question that stuck out for me was based on this thought. Have you continued to improve or change your methods of creating or doing business in order to increase the profits that you receive? I wonder, how many artists are willing to do this? There is a great deal of emotion involved in our day-to-day business. We have attachments to what and how we create. Are we so bound by those that we “resist change?”
Story 4- My Story
This last story is my own story. I am a traditional portrait sculptor creating bronze sculpture of loved ones for memorials, homes, prayer gardens and the like. But recently I have been exploring new technologies and tools surrounding my craft. Instead of just sculpting with my hands in the studio I’m exploring such things as 3d sculpting, 3d scanning, and additive and subtractive manufacturing and other areas, that not only add to my tool set, but also expand my market for work. Now, I not only can create in bronze, but I can create in stone, wood and other ways, that I normally would not think of or have access to.
The conclusion is to look for ways to change your process, your market, and your toolset. Don’t resist it and insist on creating what and the way that you want. There may be some that will do this in their studio and hit it big with a unique experience displayed in a visual form, but those are far and few between. You can actually resist, but you should not expect to make a living that way. The IRS requires we change, the lawyer suggested we embrace it. Let’s try to be creative in finding ways to embrace change and make it work for ourselves, and the work we love to create!
Bridgette Mongeon is a writer and a sculptor embracing change.
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