Archive for January 2005
Newsboy-Sculpting Is Complete On The Life-Size Newsboy
newsboy sculpture. Now the sculpture
will be taken into the bronze casting.
January 22-29, 2004
Sculptor Bridgette Mongeon has documented the entire process of creating a figurine of a newsboy and a life-size bronze sculpture. Watch the artist work through these posts. In this blog, she has also included information for students and teachers. In the previous post, we learned a little about adding a hand and newspaper.
If you are lost and want to go back to the chronological running list of posts, follow this link.
Looking back over the journal of this project, it has been almost three months since the start of the life-size newsboy. I began the life-size sculpture on November 8, 2004 and it is now six months since the beginning of the project – August 2004. The weeks between August and November were spent on research, finding a pose, learning about clothing of the period, finding an original pattern and sewing outfit of the time period, finalizing photos for reference, and creating the small newsboy sculpture in bronze.
sculpture and the likeness
that will forever be in bronze.
It is wonderful to see the sculpture in such a state of completion. Although it is said, “artwork is never finished, only abandoned.”
Artistically, there are still some things I will do with the sculpture; however, I will do them in the next step, as I get the sculpture ready for the foundry, either as I prepare for the wax or in the wax. Most artists that I know send the sculpture off to the foundry at this stage; however, we will be doing the mold, and I’ll go to the foundry to do the wax so you will be able to watch that process as well. After that I’ll be sure to document the foundry process for the web site.
in his image. Bridgette Mongeon has
completed the clay sculpture for a
bronze newsboy. Now we move to the
mold making process.
DUSTY SEES HIMSELF
It was so much fun to have Dusty come in and meet the sculpture in person. When I gave Dusty a hug, I couldn’t help but pull back and feel his shoulders. For a moment there I wished he could somehow have been in the studio the past three months, holding the pose, so I could see him when I needed to.Next week we will be working on the mold and waxes. According to our schedule we have until the end of the month to get the waxes to the foundry. That will give the foundry two months for the metal work. I’m hoping to have the final product by May 1st. The unveiling is May 19th.
With those extra 19 days, it gives us time to solve any problems that may occur and also to install the sculpture on our target date.
THE LEGISLATION PROCESS
We still don’t know when the Texas legislators will discuss our newsboy. Senator Whitmire prefiled the bill in December. The Texas Press Association, my client, is staying on top of that. I’ll be sure to post as soon as I hear something.
Now, we are going to enter the foundry process. It is a huge amount of work that starts with The Mold Making Process.
Newsboy- Adding Hand And Newspaper To Life-Size Sculpture
January 18-21, 2005
Sculptor Bridgette Mongeon has documented the entire process of creating a figurine of a newsboy and a life-size bronze sculpture. Watch the artist work through these posts. In this blog, she has also included information for students and teachers. In the previous post, we learned a little about how the details on the life-size sculpture come together.
If you are lost and want to go back to the chronological running list of posts, follow this link.
This week I finished the right hand and put it on the sculpture. I was thrilled to see it come together. The left hand is another story. I can’t put that one on until I have the papers sculpted. The paper is seen both under the left arm, in the right hand, and on the ground. I need to have one good paper with headlines, and then I’ll make a mold of it and cast the others in wax. That way they will all be the same, and it will save me a tremendous amount of sculpting time.
SCULPTING THE PAPER
To sculpt the paper, I printed out the masthead of the paper and the headlines. I dipped a real paper in several coats of wax, smoothed it out and then placed these headlines on the wax paper. To transfer the letters, sometimes I cut them in or pinprick the outside edges, and then cut them out with an Exacto knife. It is very time consuming. The cuts in each letter must be done on an angle and then cleaned up with solvent and several tools. Each column of type is “greeked” in with scribbles, but even that is time consuming.
We are getting close to the finish line. Let’s see the Sculpting Complete in th next blog post.
Newsboy- It Is All In The Details.
filling in the undercuts.
January 10-17, 2005
Sculptor Bridgette Mongeon has documented the entire process of creating a figurine of a newsboy and a life-size bronze sculpture. Watch the artist work through these posts. In this blog, she has also included information for students and teachers. In the previous post, Now We Are Getting There, we saw a lot of progress.
If you are lost and want to go back to the chronological running list of posts, follow this link.
The small newsboy came together in the last post, and we also began to see the large newsboy take shape. Now, let’s get down to some details.
I have decided to cover papers in wax to put in the newsboy’s hands. I set up a clothesline system for the papers to drip into as they cured. I still have to sculpt the headline in the papers. That will come next week. Meanwhile, I have a bundle of papers for Dusty’s left arm. I’ll clean them up later. Having them in place is important in sculpting the left arm.
With a trip to Houston Leather for brads for the shoes and another trip to The Way We Wore Vintage Clothing store, I finally have the leather suspenders that I was looking for. I have dipped them in wax and added them to the sculpture. Dipping them in wax stiffens them up for the mold.
Because I have decided to cast the sculpture with these real suspenders, I must prepare them for the mold making process. Every place where there is an undercut, a deep area like behind the suspenders or in between, it must be sealed. This is a place where rubber can get caught during the mold making process. That is our next step, and I hope to get to it in the next few days. I’m filling in the gaps very carefully. I can still show depth in between the suspenders, but it won’t go all the way through. Just a few more things to add to get this together.
We are getting there. Keep reading to see how the newspaper is sculpted and his hand is added in the next blog post Adding the Hand to the Life-Size Sculpture And Sculpting the Newspaper.
What do Pollyanna, Ralph Waldo Emerson, and Bing Crosby Have in Common?
Houston Tribune
January 2005
by Bridgette Mongeon © 2005
I have recently seen the movie Pollyanna, a PBS special. Growing up I had heard of the girl Pollyanna, or the term Pollyanna, but never read the 1913 book by Elanor H. Porter.
I was intrigued by the little girl and her “glad game” that she taught to just about everyone that she came in contact with. In Pollyanna’s words: “Oh, yes; the game was to just find something about everything to be glad about-no matter what ’twas.”
Sometimes the game was not easy, like the first time she played it. She had asked for a doll from the missionary aid and instead received crutches. She decided she could be glad she didn’t need the crutches, and the game began.
More people should play this glad game. In fact, many are professionally trained in the glad game. It might be said of Pollyanna that she was practicing a form of cognitive therapy. Cognitive therapy is basically the idea that feeling follows thought. If we can change our mode of thinking about a life event or about ourselves then we can change the way we feel about it. To help patients with such things as depression, anxiety problems, self-esteem, and anger management, psychologists sometimes use cognitive therapy; many books have been written on the subject, such as Feeling Good by David D. Burns M.D.
Sometimes, in our thoughts about our life or thoughts about ourselves, our thinking becomes distorted. We can ultimately change the way these things affect us by changing our thinking, which will in turn change how we feel.
A psychological concept often used with cognitive therapy is “self talk.” Self-talk is what we say to ourselves as we confront obstacles, make decisions or resolve life problems. This is a normal thinking process for individuals. When our self-talk is negative it can immobilize us and keep us from moving forward. Learning to change negative self-talk into positive self-talk can take some work, but when it is done it can make a world of difference in your personal growth.
The concept of cognitive therapy is not new to me. In fact, intuitively I have been doing it for most of my life. If a friend begins to tell me that they can’t do something I am known to break into that old song: “Just what makes that little old ant, think he can move the rubber tree plant, anyone knows an ant can’t move a rubber tree plant, but he has high hopes …”
Friends often change their own thinking about the situation just to keep from listening to my song.
My cognitive training did not come from a book on psychology or a counselor it came from Sunday school. When I felt I could not do something my Sunday school training said, ” I can do all things through Christ who strengthens me.” When someone comes to Sunday school and feels unloved or unlovable the Bible tells him he is loved and lovable. People who learn these principles change their thinking, and strive to better themselves. Whether it is through cognitive therapy or spiritual living.
I have often said that one of my favorite songs is from the movie White Christmas. Bing Crosby sings: “ When I get worried and I can’t sleep, I count my blessings instead of sheep, and I fall asleep counting my blessings. When my bank roll is getting small, I think of when I had none at all, and I fall asleep counting my blessings.”
And my favorite saying is by Ralph Waldo Emerson. “A man is what he thinks about all day long.”
Mr. Emerson was on the right track. If you think depressed sad and lonely thoughts, or your self-talk is negative, that is exactly what you will be.
Maybe we should take our cues from Pollyanna, Bing Crosby and Ralph Waldo Emerson. There is something to be said about it being “all in your mind.”
For those of you who are still not convinced here are a few more thoughts to ponder.
“No matter where you go or what you do, you live your entire life within the confines of your head.”
Terry Josephson
“A positive attitude may not solve all your problems, but it will annoy enough people to make it worth the
effort.” Herm Albright
“A pessimist sees the difficulty in every opportunity; an optimist sees the opportunity in every difficulty.”
Winston Churchill
Bridgette Mongeon is a writer and artist living in the Heights, www.creativesculpture.com
All written work is copyrighted and cannot be used, whole or impart,
without the written consent of the author.
Newsboy- Now We Are Getting There!
January 3-10, 2005
Sculptor Bridgette Mongeon has documented the entire process of creating a figurine of a newsboy and a life-size bronze sculpture. Watch the artist work through these posts. In this blog, she has also included information for students and teachers. In the previous post, we learned a little about making huge strides in the creation of the life-size newsboy
If you are lost and want to go back to the chronological running list of posts, follow this link.
I was so excited to pick up the first small bronze newsboy sculptures from the foundry. The foundry did take photos of the process, but I will wait and post those later.
The life-size sculpture is coming along well. It feels so good to have the head attached. We put a rod through the head and into the torso to secure it. You can still see the rod in the photo. Now that the head is attached, he is coming to life. I can hardly wait to get the arms more refined and add the hands. The excitement continues.
will soon be approved.
I have, however, lost one assistant to be replaced by another. My daughter, Christina, worked with me over the holidays, and I think that Miguel, who is now helping, is probably as frustrated with me as she was. No sooner does my assistant get done smoothing the sculpture, which is quite a bit of physical work, and I take one look at the sculpture and the changes needing to done jump out at me. Then, there I go again, carving and adding clay. The assistant comes in the next day and has to smooth it all over again.
THE DETAILS
I had to stop sculpting the shoes, because of the old fashion brads on the shoes. I could not figure out how to fabricate them, so I have opted for trying to find real brads for the shoes. Houston Leather says they carry them.
It looks like I will have a few “real” things on the sculpture. The buttons are staying, and because I am running out of time, I will most likely cast real suspenders. The white suspenders that I have now are not really what I want. I would prefer the ones with the leather at the buttons.
My deadline of getting this life size sculpture completely sculpted is quickly approaching. I want to leave myself plenty of time for foundry work, including mold making and working the waxes.
I can hardly wait to get going on the hands.
I attached his unfinished hand and put a paper in it just to see how it might look all put together. I had to snap the picture very quickly because the hand was not secure.
It is moving along, now let’s go see the Details on A Life Size Sculpture.
Newsboy-Huge Strides In The Life-Size Sculpture
me in the studio.
December 28, 2004- January 3, 2005
Sculptor Bridgette Mongeon has documented the entire process of creating a figurine of a newsboy and a life-size bronze sculpture. Watch the artist work through these posts. In this blog, she has also included information for students and teachers. In the previous post, there was a lot of working through the holidays.
If you are lost and want to go back to the chronological running list of posts, follow this link.
What an exciting week it has been. We have made tremendous progress on the sculpture this week. It started with the shoes. They are defined, and now we are just getting to the fine detail. We are moving up the leg to the socks and pants.
Throughout the week, Christina and I have taken turns working on the head, adding clay, taking away, smoothing and then adding clay, taking away, smoothing. The last day of the week I asked Christina to finalize her work on the face and then hand it over to me. I just wanted to spend an hour or so with it before securing it to the body. Doing any of the detail work on Dusty’s face after it is on the body is a job for an acrobat. It is much easier to work on his face when I can hold it in my own hands.
When we are not working on the head, we spend a lot of time working on the floor, lying on pillows and blankets, making ourselves as comfortable as possible as we refined and defined the shoes, the socks, and under the knickers. There is still much to do in that area. The last day of the week, Chris was beginning the long process of cutting shoelaces and threading them into the clay, like we did with the small sculpture. We also must spend a great deal of time closing up any undercuts in this area. An undercut is an area that you can pass something through or a deep grove. So we fill the little areas under each shoelace with clay. If we did not do this, the rubber would get stuck around the shoelace when we start making the mold and would tear the rubber.
Before we entered the New Year I wanted to attach the head, a milestone of the process. I had to hold off with defining the upper torso until the head was attached. Though I did surprise myself. I “eyed” the space between the buttons on his shirt by using the photos. Then I remembered I had the shirt to look at, and don’t you know I was right on with my measurements! The head was added on the last day of the year.
To attach the head we had to be very careful of placement, a very tricky thing. You don’t want too much neck or too little, and then we had to make sure it was secure to the torso. We did so by hammering a threaded rod through the head, neck and deep into the torso. It was such a great satisfaction to see him put together. It is also exciting to know I am getting to a new stage in the process. It renews the creative energy inside. I am hoping to have the sculpture finished within the next three weeks and ready for approval by the client.
Monday, January 3rd, I am picking up the first small bronze sculptures from the foundry. I can hardly wait to see them.
Stay tuned next week to see the sculpture complete with head and torso and photos of the small bronze in the blog post, Now We Are Getting There.