Bronzes come back to the studio
I picked up the two bronzes from the foundry. next week they go home to their owners.


Back to Dick Hathaway
The life size sculpture of Dick Hathaway has been brought back to the center of the studio. He will be getting my full attention, or as full as it can be with other things needing to be done in the office and studio. Unfortunately we have had a few very hot days here and with the stress of moving the piece a few things have broken off of Dick Hathaway. It could be a devastating thing; however, I know the pieces, elbow, leg, hand will go back on. The silly thing is that no sooner do we put them back on and finish Dick, then they will have to come back off. I hesitated in cutting this piece up for mold, because the T.W. Woods Gallery in Vermont is still trying to get the balance to cast him. And once I cut the sculpture apart and create molds and wax, it will not go back together again until it is in bronze. I will miss having Dick Hathaway around, but it is time. time to get him ready to go back to his Green Mountain state and to make room for more life-size pieces.
Interviewing Again For An Apprentice
It seems like I just did this. Bryan has worked out very well, however his work load at his full time job seems to be getting a little hectic and he has notified me that he is not sure how dependable he can be. He will still be coming in, but it may be a good idea to begin the search again. If you are interested or you know of someone who might be interested in being an apprentice in an art studio, have them contact me. The complete description is listed below. I have a couple of interviews already, however I have a huge project that I bid on. If it comes through we may need a few people in here.
Houston Sculptor is seeking fall/winter apprentice.
This job consists of working in a real art studio with a master sculptor as well as in the foundry for bronze casting when necessary. Work is figurative. Your duties would include anything from smoothing clay, helping to make armatures for life size sculpture, assisting artist with working waxes for the bronze process and clean up. The work can get dirty. Desire for art and a summer commitment is the only prerequisite.
This is not a paying internship however there are sometimes bonuses involved and the learning experience and exposure are invaluable. The artist’s studio is located just north of the 610 loop off of shepherd. Hours are flexible, we can work around your schedule if you can committed to at least 5-10 hours a week. Upon completion of the summer the artist would be happy to write a letter of recommendation for the student for college or job.
If you would like to see some of the artist work or look at how other apprentices have helped check out the blogs listed below.
https://creativesculpture.com/blog/
http://www.dickhathaway.blogspot.com/
Artist’s web site is located at https://creativesculpture.com
Please contact Bridgette through her contact page on her website
And put Intern/Apprentice in the Subject headline. Be sure to let me know when you are available and your desire. If you are under 18 we will need to meet at my studio with your parents and they will be required to sign a consent form.
Lucas Went Home

The sculpture of the bronze little boy with a cape went home last week. I watched them package him up and send him home. It has been a while. I am sure the mom is anxious to see him. It was strange, the day the truck came for Lucas, my own child was moving away from home. More goodbyes!
Metal Check


Today I went to the foundry to look at the metal – the bust and the mom and baby. At this point the foundry asks me to examine the sculpture and see if there is anything that needs to be fixed. Both of the pieces have a base coat on them already. This makes the metal easier to see. I have indicated some changes and next week the foundry will be putting a patina on the sculptures. I can not wait to see them complete!
The little seated child also is out of the studio. A mold is being made of him. He is green ware and extremely fragile, I will be glad when he is done.
Getting Past Ourselves to Live Our Dreams
Created for Best of Artist’s and Artisans website
By Bridgette Mongeon © 2007
The Houston Public Television Station created an artist documentary on my work that began, “Making a living, while living a dream, a hard combination, many hope for but few achieve.” Why is this difficult for some artists to achieve? There are many reasons. Some want to create and don’t want to bring the element of sales or business into their sacred place of creating. Others may not have the business resources. Still others have psychological barriers that keep them from succeeding and reaching their dreams. Through my marketing in the arts workshops I have helped many different individuals overcome those obstacles that stood in their way of achieving. I hope to help some of you do the same. But be forewarned, sometimes the biggest obstacle can be yourself!
In my lecture on creativity I often state, “Watch out, the moment you want to be creative; the moment you sit down to begin the process of writing or painting or drawing or composing, your mind will suddenly feel a different urge. Suddenly you will feel that cleaning the grease off the back of the kitchen stove will be more important than creating.”
It is the voices we hear in our heads that keep us from doing the very thing that our heart wants to do. We distract ourselves with other things. Yesterday I sat down to write a chapter of my marketing book and felt compelled to check my e-mail, look up random topics on search engines, and then clean off my desk. The same thing happens when I begin to sculpt. “Don’t forget when you get back into the office you should…,” my mind bellows. Last week I was working on a sculpture and jumped up so many times I thought there must be something wrong with me. Now I make it a point to keep a pad and pencil by my sculpture and jot down intruding thoughts.
A friend called with the deepest yearning in her heart, “I want to be a writer,” she stated. My answer was matter of fact, “Then write. Don’t just read about writing; don’t take classes on writing, WRITE!” We keep ourselves busy without actually doing the thing we want to do. Another friend called and said she wanted to be a mosaic artist. “I think I’ll get a part time job so I can afford more art materials, then I’ll go and buy some really nice concrete birdbaths and more art supplies, and then I’ll create the most beautiful pieces.” I told her to break some old plates and create. Why do we make things more difficult than we have to?
If you really want an eye opener, purchase Steve Pressfield’s book, The War of Art.
Pressfield calls it resistance. My husband, also an artist and writer, said this is one of the best books he has read. “It doesn’t leave you any places to hide,” he told me. The book is a quick read but one you will want to keep around. It will; however, make you take a hard look at yourself. Scrawled on my husband’s marks-a-lot board in his office is, “RESIST RESISTANCE—EXCUSES”.
Pressfield put a name to the voice—resistance. I have approached it a different way, telling attendees of my workshops that the left hemisphere is the more dominant. My queue cards for the left brain (the left side of the audience) reads, “You can’t draw, you can’t write, you can’t act, NO WAY, NO WAY, NO WAY!” The audience is rather timid when saying it, but I convince them to say it in the voice they hear in their head. The retort is a scream that comes from the gut. It is their voices that keep them from their dream. The queue card for the right side of my audience (the right creative hemisphere) is often said in a whisper, “Yes you can, yes you can, just try.”
In the words of Pressfield;
“Resistance is fueled by fear: Resistance has no strength of its own. Every ounce of juice it possesses comes from us. We feed it with power by our fear of it. Master that fear and we conquer Resistance.”
A New Article About My Work- Newsboy
There is a new article about the newsboy that can be found on this link
It is a pdf, scroll to page 4 North Carolina Press Association newsletter. (This link no longer available.)
Here is quote from the article written by Brian Rapp,
Rusty Carter, Horaces’ son and president of the Tribune’s parent company, Atlantic Corp.
“A lot of times you never know what you’ll get with a sculpture unless you buy it off the shelf, but it turned out better than I ever expected. We’ve already gotten an extraordinary amount of comment about it from all over the region.”
The Sculpture Goes Back To Center Stage
Bryan has been working diligently on Dick Hathaway’s satchel, and we moved the sculpture back to the center of the room. It is time to finish Dick Hathaway and get him home to Vermont.
Going On
The mom and baby are at the foundry, along with the portrait bust. I should hear back any day now and am looking forward to seeing them. The sculpture of David is complete, but I do need to cast him in something. Onward or shall I say back to Dick Hathaway. This is a sculpture that I have been working on for a while. The TW Wood Gallery in Vermont has been trying to raise funds for the casting of the piece. It is of my former professor Richard Hathaway.
Bryan has been working on the clay satchel of books that sits at the feet of Dick. And yesterday we moved Dick to the center of the room again.
Onward
The mom and baby are at the foundry, along with the portrait bust. I should hear back any day now and am looking forward to seeing them. The sculpture of David is complete, but I do need to cast him in something. Onward or shall I say back to Dick Hathaway. This is a sculpture that I have been working on for a while. The TW Wood Gallery in Vermont has been trying to raise funds for the casting of the piece. It is of my former professor Richard Hathaway.
Bryan has been working on the clay satchel of books that sits at the feet of Dick. And yesterday we moved Dick to the center of the room again.


