Art and Technology
Artist Is Searching For 3D Printer to Promote in A New Book
Bridgette Mongeon, is the author of the new book 3D Technology in Fine Art and Craft: Exploring 3D Printing, Scanning, Sculpting and Milling – Focal Press Sept 2015 and the host of the Art and Technology Podcasts. She is embarking on a new sculpture and book project and is searching for the perfect home 3D Printer to review and promote in the book and in the creation of a high profile monumental sculpture.
The sculpture is a monumental bronze of Alice In Wonderland’s Mad Hatter tea party. July 4th 2015 is the 150th anniversary of Lewis and Carroll’s story of Alice in Wonderland. The media opportunities on the project alone are monumental.
The artist is also creating a new book project associated with the monumental sculpture tentatively called Finding Alice- Incorporating 3D Technology and Traditional Sculpture in Creating a Monumental Bronze Sculpture. Finding Alice is similar to her previous book but instead focuses on one sculpting project and the technology used to create the art.
Just how is 3D printing being used in a monumental bronze sculpture? The artist is creating 150 elements that will be hidden in the bark of the sculpted bronze table, benches and nearly 20 foot scene. These items will be created using a combination of 3D scanning, sculpting and 3D Printing and then embedded into the clay before the artwork is made into a bronze.
The Duration of this Arrangement
The artist is searching for a 3D printer for the duration of the sculpting of the project which is approximately 12 months. The printer will need to be available March 2015 and preferably come pre assembled, unless there is someone in the Houston, Texas area that can put the printer together at no cost.
What is the artist looking for in a 3D printer?
- Good Communication with Technical Support
Creating a monumental bronze sculpture, and writing a book is not a “quick” task. That is why a clear channel of communication with the manufacturer of the 3D printer and their technical support team is essential. Reviews and tutorials need to be written and clearing a channel of communication can help the artist reach her “monumental deadline “of the sculpture project and clearly write the details of the 3D printing process.
- Ease of Use
Because the author/artist will be writing extensively about using the printer it is important that the 3D printer work properly. Of course with all technology—things happen. That is why the first criteria in this project is good communication with technical support. - Type of 3D Printer?
In writing the 3D Technology in Fine Art and Craft and creating her 3D printed artwork the artist is aware that designs need revising and often more than one 3D print is required. That is why the artist would prefer to have two 3D printers to review. One fused deposition modeling printer and another printer that uses stereolithography. With the stereolithography printer it is especially beneficial if the 3D printer also use castable resin for further experiments and promotion. - Great Resolution Each of the 3D printed pieces will be embedded into the clay. The deadline to complete this project is tight and therefore the best resolution with the least amount of post processing is preferred.
The Promotion Opportunities
- Inclusion in Mongeon’s book Finding Alice
- Inclusion in the media press that features the combination of new technology with age old sculpting for creating this legacy of a story.
- Possible inclusion in the next edition of 3D Technology in Fine Art and Craft—if the publisher Focal Press requests a follow up edition.
- Inclusion and mention on Ms Mongeon’s book tour- Providers of the 3D printers are welcome to supply their own printed collateral material for distribution. Mongeon is scheduling a book tour with universities, maker spaces and communities dealing with 3D Technology. She is a returning speaker at 3D Printer World Expo, was the cochair of 3D Camp 2012-2013 and is involved in the educational initiative of STEAM which encourages the combination of Science, Technology, Engineering, Art and Math in education.
- Add space on the book’s accompanying website.
- A podcast episode with the host of the Art and Technology Podcast featuring the companies 3D printer and artist that use it.
If you are interested in this arrangement please contact the artist through the contact form on her website.
Other information about Bridgette Mongeon
FINE ART/WRITING/SPEAKING
Sculptor’s fine art website
BOOKS
Digital Sculpting With Mudbox: Essential Tools and Techniques for Artists.
NEW BOOK
3D Technology in Fine Art and Craft: Exploration of 3D Printing, Scanning, Sculpting and Milling. Sept 2015
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ART AND TECHNOLOGY
Art and Technology Podcast
A Magnum Opus and Celebrating 150 years of Curiosity
I have been sculpting for thirty years, and am now embarking on what I refer to as my magnum opus.
Some readers may have heard me mention this sculpture over the last two years. The project is a larger than life size Mad Hatter Tea Party in bronze. Families can come to visit the sculpture and bring their lunch and join in the tea party. I’ll post more on the location of the park in another post.
I work both digitally, sculpting in the computer and traditionally sculpting in clay. Many times I use both. I just completed a book on these techniques titled 3D Technology in Fine Art and Craft: Exploring 3D Printing, Scanning, Sculpting and Milling. Focal Press 2015. This project uses all of these techniques and more.
I started with a quick digital design. Over the last two years, the digital design has morphed into several different sizes and versions. The design will morph quite a bit more from the digital design, as I take each character and make them my own and sculpt them in clay.
The Scope of the Project
The characters are larger than life measuring approximately 8 feet tall. I revert to the original John Tenniel illustrations for my inspiration. However, the Hatter scene I am creating is really contrary to the original illustration of the Tea Party. In Tenniel’s illustrations, all of the characters are at one end. In my sculpture, Alice, the Hatter, March Hare and Dormouse are spaced out. In fact, each character interacts with a guest that is not yet present at the tea party. The scene needs interaction from visitors to be complete. The sculpture lures individuals to bring a meal and share at the table. The table seats between 6-8 guests. The sculpture titled “Move One Place On” entices visitors to change places in the middle of their visit, just as the characters did in the story.
A Treasure Hunt
There is much more to this scene than meets the eye. Along with the tea party, there is a dedication plaque in the shape of an oversized storybook set upon an old tree trunk. There are small tree stump steps for children to climb to see the words. Sitting on a leaf of this storybook is a mouse that reads the dedication. Moving to the top of the storybook, you will see the feet of a small rabbit jumping into a hole. Move around the tree trunk, and you will not only see a rabbit in the cutaway section of the tree, but you will see a tiny Alice falling down the hole. And so… the treasure hunt begins. Found within all of the bronze pieces in Alice’s Wonderland are many different hidden objects and even more meanings behind each of those objects. How many of these can one find on this curious journey? Well, 150, of course. I have dedicated 150 in honor of the 150th anniversary. On July 4th of this year, the world celebrates the 150th anniversary of Lewis Carroll’s Alice in Wonderland.
The Schedule
By the official anniversary date of July 4, 2015 I hope to have enough of the scene sculpted so that camera crews can come in and film. My team and I will continue the sculpting. I have awarded the bronze casting to Shidoni Foundry in New Mexico where more documentation of the process will take place. I am working diligently to hit the target date of installation scheduled for summer of 2016. It would be wonderful if that date were close to the 151st anniversary of the story.
New Book Projects
As you may know, I recently completed a book titled 3D Technology In Fine Art and Craft: Exploring 3D Printing, Scanning, Sculpting, and Milling- Publisher Focal Press. I expect this book to come out Summer 2015. It is my goal to use this sculpture, Move One Place On and create two books- for which I am presently seeking a publisher. The first book, is tentatively titled Finding Alice: An Artist’s Curious Journey of Combining Traditional and Digital Art to Create a Monumental Bronze Sculpture. In my previous book, I focused on the many different types of digital technology that I and other artists around the world use to create art. This new book focuses on one job from conception to installation and all of the steps in between. I will be sculpting using the traditional sculpting processes and using some of the digital processes I cover in my previous book. I include even more technology in this project. For example, I created Humpty Dumpty digitally and will have him 3D printed. I will then embed the 3D printed piece in the clay before it goes to the foundry and is cast in bronze. There will be many treasures created this way. The second book in this project is Finding Alice- A Field Guide This book gives clues to the 150 different elements found in the scene. It is written in Carrollian style using such things as rhyme and riddle. In the light of that, let me give your first clues in the Finding Alice Field Guide.
Searching for Lily before the game
A mother to two- they are the same.
Here she reclines-facing east
Believing this many ‘fore morning feast.
This riddle holds four of the 150 elements in the field guide. The book contains a place for an individual to fill in the blanks. I’ll give you these answers. You will have to find the other 146 answers on your own.
1. Who is this character?
The White Queen
2. What is pertinent to the creation of this hidden object?- See Finding Alice- Process book.
She is the White Queen but is also in the image of the artist’s mother.
3. Where is this physical piece located?
I guess I can’t answer this for you as I have not placed her, and how on earth I will get her to face east is going to be a challenge.
4. What is the literary reference?
(Hint—it is a number. Include the sentence written by Carroll.)
Six “Why, sometimes I’ve believed as many as six impossible things before breakfast.” (Chapter 5)
Of course, I have been writing the books as I work on the commission. However, I need to place the bronze sculpture before the book is complete. That delay means I won’t have final images of the installation for the book until July 4th 2016 and it does take a while for a book to be published. Maybe the books will be ready by July 4th, 2017? I’ll let you know after I secure a publisher.
Media and Press Page
I am delighted with this project and the work it will entail. If you are interested in publishing a story about the project, I will soon have a media page with some images. I will be adding more images to the page as we progress on the project. If the media page is not up yet, it just means that I have been terribly busy. Just fill out the contact form and I’ll zip some images and information off to you. If you know of anyone who would like to document the creation of this sculpture as a film documentary, please let me know. I think it would make a very interesting film.
Speaking Engagements
I’d be delighted to share the project through speaking engagements and lectures. I’m already planning a speaking tour about art and technology and will be delighted to share this portion. Maybe I’ll even pass on a few more hints for the field guide.
Curriculum
There are many ways that educators can use this sculpture and the works of Lewis Carroll to encourage education in such things as history, literature, and math. Educators can also use the technology and art aspect of this project. The artist will be providing curriculmn associated with this project on this website.
Interns
If you live in the Houston, Texas area and are an artist that is available from March- September and would like to intern on this project, contact me through my contact page. Be sure to let me know your availability and give me links to your work.
Publicist
I’m also looking for an assistant to help with the publicity for this project and will be interviewing individuals immediately.
I’ll share more later, but for now… I must jump in the hole with Alice.
Bridgette Mongeon is a sculptor, writer, illustrator and educator as well as a public speaker.
Her blog can be found at https://creativesculpture.com.
Follow the artists on twitter twitter.com/Sculptorwriter
Having Fun With Alice In Wonderland- Morphing The March Hare
How does a sculpture morph? As I stated in previous posts, sometimes I will create a 3D digital model to work out the design process. This lets my client and I change and modify sizes, placement, interaction and poses. These digital models are done quickly usually using preexisting models that I can change to fit my needs. The photographs on this blog post show the morphing of the March Hare. For the monumental bronze sculpture of Move One Place On- a scene in Lewis Carroll’s book Alice’s Adventures in Wonderland.
I would continue to create the sculpture digitally, but sometimes I just like the feel of the clay. So I then went back down to the traditional studio, my office is upstairs my studio is downstairs. Downstairs I worked on the March Hare, in clay. Besides making the monumental sculpture of this scene I will also be making a number of table-top versions in bronze for sale. Sculpting downstairs in traditional clay and seeing things in a physical form helps me to see how this smaller version will work as well as the interaction of pieces in a physical world.
Once I got something I was interested in, I brought the clay piece back upstairs and scanned him with a 3D scanner. I will need a digital model to enlarge him, but I also did not want to sculpt a tiny cup, saucer and watch traditionally. I put these items into the model in the computer.
I love the action of this piece. Remember also that he is interacting with the visitor, that will be seated on a bench next to him. You also remember that I mentioned in a previous post that I will be hiding things in the sculpture. When you see this sculpture be sure to check out the stump that he is sitting on. I am sure I will be hiding things there. I also have a bunch of other ideas for hidden objects in this piece of the March Hare. I can’t wait to sculpt him life-size. As soon as the other figures are ready I will send the 3D files off for enlargements. Stay tuned.
Bridgette Mongeon is a sculptor, writer, illustrator and educator as well as a public speaker.
Her blog can be found at https://creativesculpture.com.
Follow the artists on Twitter twitter.com/Sculptorwriter
Inspiring Young Minds in Fine art and 3D Technology
Carol Andrews, Visual Arts Director Newspring Center in Spring Branch Texas, invited sculptor Bridgette Mongeon to speak at North Brook High School. New Spring Center and Mongeon have the same desire- inspire young minds to “define and achieve a bright economic future. A few different classes joined in for a creative and visually stimulating lecture by Mongeon. The facilitating teacher Scott Keairnes asked Newspring to find a sculptor to speak to the students, what he got was a bit more.
Mongeon is a well-known bronze sculptor has just finished writing a book titled “3D Technology in Fine Art and Craft: Exploring 3D Printing, Scanning, Sculpting and Milling.” She has been combining 3D technology in fine art for years and enjoyed talking to young people about the many different aspects of 3D. “A student who learns about 3D, whether it be 3D scanning, 3D printing or even 3D sculpting and Computer Numerically Controlled Milling, will find that their education is crosses disciplines. They can take these tools and use them in multiple different ways. The young people that embrace and learn this technology will put themselves ahead of others when it comes to looking for a job. The
government is also seeing the importance of the technology and is investing, exploring and supporting education in 3D. I’m thrilled for the opportunity to inspire the students,” states Mongeon.
The artist talked about a variety of subjects other than just fine art and technology. Architecture, science, and medicine and other disciplines use 3D technology.
“I want to encourage the students to understand that using their art as a career does not just mean being a studio artist. This is something I did not grasp in high school. There are a variety of careers that use the arts, and even more that incorporate 3D technology.” A variety of subjects other than just fine art and technology. Architecture, science, and medicine and other disciplines use 3D technology
The sculptor also announced that she uses interns at her studio on a regular basis. “ I love mentoring young people. Give me someone with a passion, and I can teach them the art. Internships are some of the best ways for young artists to get ahead.” Find someone who is doing what you think you might like to do and ask them how you can help. Tell them you will take out their trash if necessary. You just want to be in that environment.” Mongeon ends the lecture with a motivational conversation that she uses in many of her lectures when she teaches marketing in the arts. “There is something in the adage of ‘it is not what you know, but who you know.’ You may think that because you are young that is harder, but it gives you an advantage. She shares a story bout a girl who planned for her pony. She closes with the statement, ‘Plan for your Pony and you will become known by all of the pony keepers.'”
At the end of the session, one student out of the many approached the artist and asked, “how do I learn about an internship? This is the motivation the artist seeks. “ I have used interns for many of my projects over the last several years.” States Mongeon. “ The students are always changing; I would love to find that one passionate person who would be interested in making a career out of art. Someone that is dependable and a good worker and that I could work with for many years to come. I’ll still use other students, but I am open to finding that one special person.”
“When the book comes out I would like to create a book tour. I’ll be looking at other high schools and higher education to lecture at next year. I’m thrilled with the possibility of this book becoming a resource for inspiration and education of so many in the different disciplines that incorporate the arts and technology.“
Mongeon’s book 3D Technology in Fine Art and Craft: Exploring 3D Printing, Scanning, Sculpting and Milling will be coming out June 2015. The artist is thrilled that those reviewing the book have found it to be a good resource as a text book.
“Bridgette Mongeon has taken the complex subject of 3D printing and made its secrets available in clear readable form for the artist and the public. She has given the reader the most up to date and useful information along with the necessary little secrets to make the appropriate decisions in applying this new medium to the art of making sculptural forms. It is an informative and enjoyable book from start to finish. Her choice in examples gives the viewer some of the most contemporary sculptural works available. An excellent textbook for every level.”
Mary Visser, Professor of Art, Holder of the Herman Brown Chair
The Sarofim School of Fine Arts
Southwestern University
“This is a much needed comprehensive introduction to “state of the art” digital sculpture. The author is a professional sculptor whose practice bridges a wide range of traditional and contemporary, analogue and digital, approaches to creating and realising her work. With an extensive knowledge, experience, and understanding of her discipline, its history and current applications, she is ideally placed to impart of this knowledge to anyone with an interest in digital fine art sculpture. The text and illustrations are clear and instructive, taking the reader on a step- by-step journey through otherwise difficult to navigate technologies. Between its pages this publication covers a wide range of digital tools currently in use by fine artist and craftspeople. It does much to dispel a lot of the smoke and magic surrounding the technology, demystifying this in an easy to follow account of the pros and cons in all of the categories covered. Each chapter in turn offers an in-depth explanation of its topic, written with the first-time user in mind it is also an invaluable resource for the professional sculptor and educator….a must for anyone with an interest in 3D digital creation and fabrication.
Keith Brown
Director of Art & Computing Technologies
Manchester Metropolitan University
Manchester Institute for Research & Innovation in Art & Design”
3D Technology and Fine Art — A New Book
I have been working on a book for quite some time now. My editor at Focal Press tells me that ten months is record time for creating a book like this. It feels like an eternity for me. Today it goes to the publisher. The proposed design by Diliberto Photo and Design is featured on this page.
The book focuses on the combination of 3D technology as it pertains to fine art and craft. The constant within the book is of course, realizing artwork in a physical form. I have been so excited to feature the work and practices of many artists, nearly 90 something artists at last count. What is different about this book and the accompanying podcasts that are being recorded with the artists is that they tell their tips and tricks. I have always been a “show me” person. Show me what you did, how you did it and let me bring my own creativity into the process. I have said over and over about this technology , you don’t know what you can do until you know what you can do and once you realize what is possible it will blow your mind.
I think it is important to focus on all three aspects of the book. They inform each other. 3D Scanning is important because it offers so much to a traditional artists and digital artist alike. 3D printing is all the rage, but how can we push the limits to create unique and original art? CNC Or Computer Numerically Controlled creations have been around for a long time. However, you will not believe what artists are doing with this tool. Digital Sculpting lets us modify or create incredible pieces of art. The combination of these four means individuals are creating artwork that up to this point in technology, could never be created.
There is a great deal more in the book.
Now on to recreating the website for the book at http://www.DigitalSculpting.net. Digital Sculpting.net was original created for my previous book written with Mike de la flor, “Digital Sculpting with Mudbox: Essential Tools and Techniques for Artists.” This is where you will be able to find many of the references in the book and additional information. You can now find the old podcasts on the DigitalSculpting.net website. However, I’ll soon be promoting the new podcasts. I am interviewing quite a few artists and companies from the book. The podcasts are a delight and really give life to the book. I’m thrilled to have them. Wait until you hear some of the tips and tricks from these artists. Once the new podcasts are made public you will be able to use the links anywhere you like. You can even use the podcasts on your own blog.
Anyways, I hope you like the book.
Pre ordering should be available in the next few months. I am also planning on a series of lectures and book tours next year. If you are interested in having me come to your school, please feel free to contact me. I would love to come and speak.
Do you know anyone who might like to review the book? Please let me know.
Bridgette Mongeon is a sculptor, writer, illustrator and educator as well as a public speaker.
Her blog can be found at https://creativesculpture.com.
She is the vice chair of the planning committee for 3DCAMP Houston 2012 and 2013 http://www.3dcamphouston.com
Follow the artists on twitter twitter.com/Sculptorwriter
Searching to Honor The Pioneers in 3D And Fine Art
“We are like dwarfs sitting on the shoulders of giants.
We see more, and things that are more distant, than they did,
not because our sight is superior or because we are taller than they,
but because they raise us up, and by their great stature add to ours.”
The Metalogicon John of Salisbury 1159
Recognizing the Achievements of Others
There seems to be a need in us as humans to recognize the achievements of others. That is why we have banquets, and develop awards. However, there is one group with no award and no recognition. As I think of this group, I feel compelled to give them that recognition. If I could have a banquet and invite all of them from around the world, I would. If I had a space where I could collect their work and show it to the world, I would. The only thing I have to recognize these people is the space in my new book project and the thankfulness of all of my muses.
When watching awards being given we think of the life-work of an individual. We applaud and then order another martini. However, in this case, thankfulness goes much deeper than just a life of work. It is a person’s passion and life work that also contributes to paving the way for others who come after them. The processes of these “pioneers” enlightened others. Their struggles created dialogue; their mistakes or needs caused others to reconfigure the process. Some dedicated their life to passing on their information and teaching others. Everyone of these made a difference. I’m not sure if most of those in my group recognize that this is what they have done, and some of them, frankly, I’m just getting to know their part in this creative journey and how it plays on my creative process. Sadly, some that I am finding, have passed away and have never received the recognition they deserve.Those that I am speaking of are artists who have dedicated their life and passion to combining fine art and technology.
Many people think that realizing work in a physical form with 3D printing is new and the first time this has been done. My friend you could not be more wrong. There are artists who have been combining 3D technology and fine art and craft for years. I call these men and women pioneers.
My Way of Saying Thank You.
There are however, no banquets, no awards, and worse yet, no galleries that can house the “first” works of these individuals. The only thing that I can do with the resources that I have is thank them and give them a place of honor in my new book 3D Technology in Fine Art and Craft: Exploration of 3D Printing, Scanning, Sculpting and Milling by Bridgette Mongeon
It is these shoulders that we now stand on. It is their accomplishments and trials that have built the technology. I have said it time and time again; If artists take this technology and push it to the limits with their creative processes it will cause new and exciting things to happen. It is the reason I am writing this book.
It is My Honor
There are many artists and vendors featured in the book. Those that I consider pioneers are:* Carl Bass- Recognized for your creative passion and your position in technology that encourages the marriage of fine art and craft with 3D. Thank you for the Digital Stone Exhibition and other things that you are doing. (I’m still trying to reach Carl for his participation of images.) * Bruce Beasley * Robert Michael Smith and * Jon Isherwood along with others who are committed to continuing education in 3D combined with stone and CNC milling. * Bathsheba Grossman – As a woman who has worked in the primarily male populated world of 3D technology I am indebted to Bathsheba for paving her way, for her incredible contribution and experimentation with 3D printing of metal and for her ingenuity with creativity and math. * Erwin Hauer and * Enrique Rosado, for their contribution in preserving the past by introducing the future.
There are many others that I have contacted and some that I have yet to contact. The list includes but is not limited to. *Michael Rees, *Kenneth Snelson, *Keith Bown, * Elona Van Gent, *The family of Rob Fisher *Dan Collins, * Christian Lavigne, * Barry X ball *Robert Lazzarini, *Lawrence Argent and *David Morris.
dialogues around art and 3D. They paved the way, encouraged
collectors and museums and inspired others. They need to
be recognized not only for their art, but for their
contributions. Sculpture by Robert Michael Smith
Please help me find and honor the pioneers
If I have listed your name or you know of a pioneer that I have forgotten, please contact me as soon as possible. I don’t want to leave anyone out.
- Please send me an email at Bridgette (the at sign) creativescupture.com
- Please include a few high-resolution images of your work and possibly one of yourself and your work. Some artists are sending screen shots of the digital work to compare to the completed work; these should be screen shots with the largest screen so that we can make them look good when reduced down.
- Please send me a short bio 500 words or less and let me know when you began using 3D technology in your fine art practice, and what type of work you do now.
- Please give me a separate list of your software that you use and your vendors if they are pertinent to realizing your artwork in a physical form.
- Feel free to send links to other resources on your work. I will also require an e-mail to send you an electronic release form.
My absolute deadline for all of the above information is September 1st. Space in the book is limited so the earlier I can receive information the better.
Make it Personal
If any of these people would like to participate in an online interview about their work I would love to schedule you for an informal podcast in the next 3-4 months. I create these podcasts through a simple phone conversation, at your convenience. They are recorded and released prior to the book. I will also provide you with a link to the podcast. Here are some examples of ones that have been done in the past.
Thank you so much for such strong shoulders to stand on. I only hope 3D Technology in Fine Art and Craft: Exploration of 3D Printing, Scanning, Sculpting and Milling will be my small contribution to those who go after me. Thank you for your consideration.
This book will come out summer of 2015 and is being published by Focal Press. I am indebted to the publisher for believing in the importance of this project especially since it is different from their other published books.
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Bridgette Mongeon is a sculptor, writer, illustrator and educator as well as a public speaker.
Her blog can be found at https://creativesculpture.com.
She is the vice chair of the planning committee for 3DCAMP Houston 2012 and 2013 http://www.3dcamphouston.com
Follow the artists on twitter twitter.com/Sculptorwriter
Thanks To Focal Press For Believing In My New Book Project!
I am very happy to report that I have just received my signed book contract with Focal Press for my book, 3D Technology in Fine Art and Craft: Exploration of 3D Printing, Scanning, Sculpting and Milling. The contract came to me yesterday, and well, the original book deadline was tomorrow, but I have pushed it until the first of October. I know there will be presales of the book and will be sure to let everyone know when that is. The book is due out next year, and plans are already under way for a tour of lectures, presentations of vendors materials, book signings etc. If you are interested in being a part of that please let me know. We are planning both a tour in United States and another in Europe, being that so many of the artists and vendors are from Europe. Maker spaces, libraries, CG meet up groups, fine art groups, and vendors, please keep this in mind. Let’s work together to create many special events that inform, inspire and encourage the joining of fine art, craft and 3D technology. Send me your dates and let’s talk so we can pencil each other in.
Focal Press is also the publisher of Digital Sculpting With Mudbox: Essential Tools and Techniques for Artists that I wrote with Mike de la Flor. I know a book combining art and technology is not their norm. I’m so glad they believe in this project. I know I do.
If you are interested in hearing more about the book, and up and coming speaking engagements please sign up for my newsletter.
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Bridgette Mongeon is a sculptor, writer, illustrator and educator as well as a public speaker.
Her blog can be found at https://creativesculpture.com.
She is the vice chair of the planning committee for 3DCAMP Houston 2012 and 2013 http://www.3dcamphouston.com
Follow the artists on twitter twitter.com/Sculptorwriter
For Those in The Plano, Texas Area Interested In Fine Art, Craft And Technology
print of a man that was scanned at
Captured Dimensions in Plano, Texas.
Calling all artist and craft people in the Dallas, Texas area. I am thrilled to announce that I have been invited to give a lecture hosted by Captured Dimensions on Thursday, July 24th 2014 from 6:30-9:30 pm. The topic is, of course based on my upcoming book,“3D Technology in Fine Art and Craft: Exploration of 3D Printing, Scanning, Sculpting and Milling.”
If you are not familiar with Captured Dimensions then I would highly recommend you take a look at this video and their website. Captured Dimensions specializes in a scanning process called photogrammetry. It is basically taking photographs all around a subject and making them into a 3D model. I’m featuring a section on photogrammetry in the new book and will be scheduling my own sitting with my granddaughter as a model while visiting Dallas. How can the cameras “scan” a moving baby? Unlike 3D scanning with a scanner, photogrammetry at Captured Dimensions is done quickly with the click of a shutter. I will be featuring this sitting in the book as well as creating some works of art using these digital creations made in coordination with Captured Dimensions.
But this facility and the process of “scanning” sculpture offers so much more. Artwork can be created in one size and then repurposed and sold at another size. For example, monumental pieces can be made as jewelry. What does that mean? You can often make more money by repurposing art that you have already created. There is really so much that you can do using 3D technology, the best thing to do is to come and listen to the lecture and we can brainstorm.
As a sculptor of 30 years I am embracing the new technologies as well as interviewing others and sharing my process though this book. There is so much that can be done with 3D printing, scanning, sculpting and milling. I keep saying to everyone,
“You don’t know what you can do until you know what you can do. When you hear some of the possibilities it will really blow your mind.”
I can’t wait to share. If you get a chance, come on by and get an ear full and learn about what can be done. After the lecture there will be a Q&A session. There will also be wine and hors d’oeuvres, as well as a tour of the studio. This is a chance for attendees to explore ways in which 3D technology could enhance their craft and increase exposure to their works of art.
Please join us in traveling the crossroads of 3D technology and sculptural art:
Location: Captured Dimensions Studio, 2805 E Plano Pkwy, Ste 250, Plano, TX 75074
Date: Thursday, July 24, 2014 from 6:30 – 9:30pm
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Bridgette Mongeon is a sculptor, writer, illustrator and educator as well as a public speaker.
Her blog can be found at https://creativesculpture.com.
She is the vice chair of the planning committee for 3DCAMP Houston 2012 and 2013http://www.3dcamphouston.com
Follow the artists on twitter twitter.com/Sculptorwriter
Texas Country Reporter Visits The Studio
I was very honored to have Texas Country Reporter visit my studio this week. With a career in sculpting that spans 30 years I have had press before, but this one was very special. The focus of this segment is on the sculpting of children. Though, of late, I have been sculpting huge mascots or artwork for colleges such as the Grambling Tiger, or the Prairie View panther, and “Called to Pray for Dallas Baptist University, the children have always had my heart. I have not had a child commission in a couple of years.While floating through the photographs of my artwork over the many years I realize how many of these children have come through my life. I don’t worry about it. The children commissions will return, but I realize I miss them. The profound part of missing them is magnified by now having grandchildren.
I started sculpting years ago by being inspired by the fanciful nature of childhood exhibited in my own child, and now that spark is flamed again by the birth of my grandchildren. I am so pleased that my granddaughter Issa could become a part of the segment. When I babysit her I watch her with a sculptor’s eye. I long for the opportunity to capture those child gestures. It is the simple things, peeking under the bed walking on her tip toes or just toddling that inspire me. I have saved a picture of my other granddaughter Karina. It is on my phone and I look at it often, one day you will see this scene played out in clay or bronze.
I have been very occupied with my other muse- writing. I have been writing a book 3D “Technology in Fine Art and Craft: Exploring 3D Printing, Sculpting, Scanning and Milling.” The preparation for the photo shoot gave me a little break as I pulled out a personal sculpture of a baby Issa yawning, and got to work on it again. It is interesting. I started by making children and
selling them, I created the scenes I wanted and hoped I could make a living by doing so. Now, I balance the commissions and writing and have little time to do any “personal” pieces.
I am glad that the the Texas Country Reporter had the incentive to show not just my traditional process but the digital process as well. From scanning of children, to the presentations that I create digitally in the computer.
They asked me if there was anything I would have liked to do, but have yet to do? I spoke about this next piece, and it is true that I am really excited about it, but I think I would also like to create a public scene with multiple children, and maybe their pets- dogs and kittens interacting with the children.
Still interaction with a sculpture is important and I’m thrilled that Texas Country Reporter might possibly show the next commission that I’m waiting to hear about this week . It is a life size sculpture. A happening, a place, a thing to experience. One day soon, individuals will be able to go to a Texas park and have tea with the Mad Hatter, Alice, the door mouse, cheshire cat and the rabbit. I’m calling “Move one place on” my magnum opus. I can’t wait until it is done and I can watch individuals interact with the sculpture. That is my favorite thing about public art.
The Texas Country Reporter segment does not air until October. Many have asked what channel? I found this showtime schedule on their website. They also said they put some of the segments on their you tube station. I do hope they do it with this one. I have no idea what will end up on the cutting room floor. I just know that these guys were so entertaining and fun to work with. Maybe by October I’ll have permission to name the park that ” Move one place on” piece will be going into. And they can air that. The park is expected to open next summer.
Ah, and Bob Phillips was so tricky in getting me to talk about something that I rarely talk about in public. No, I won’t mention it here, I’ll just post this photograph taken by a very sensitive photographer Georgina Langoria several years ago.
bit more about the “personal” side.
By photographer Georgina Langoria
To wrap this up, here is a segment done at the very beginning of my career. Channel 8 won best artists documentary for the segment. Just look at that young lady, in my first very old studio. It will be interesting to watch each of these two segments in contrast.
Follow me on twitter, and I’ll be sure to post when the segment will air.
Thanks again Texas Country Reporter.
____________________________________________
Bridgette Mongeon is a sculptor, writer, illustrator and educator as well as a public speaker.
Her blog can be found at https://creativesculpture.com.
She is the vice chair of the planning committee for 3DCAMP Houston 2012 and 2013http://www.3dcamphouston.com
Follow the artists on twitter twitter.com/Sculptorwriter
Searching For Interviews For Podcast On 3D Technology
podcast- A fireside
chat where art and
technology meet
We are looking for a special guest for this podcast—
The theme of the podcasts—
“A Fireside Chat Where Art and Technology Meet.”
Host Bridgette Mongeon, is reviving The Art and Technology Podcasts. The spark of the regeneration of the podcasts is due to the many inspiring guests that are featured in the hosts soon to be released book, 3D Technology in Fine Art and Craft.
“The artists and vendors featured in the book “3D Technology in Fine Art and Craft” are some of the finest artists in the field. They are gracious enough to share their tips/tricks, software and vendors. This makes the book a valuable tool for all artists. The work featured is truly inspiring. It is impossible to put all of the suggestions of the artists into the book. The podcasts give the reading audience additional information, while also giving the reader/listener an opportunity to sit in on a more intimate conversation with many of the people featured,”
States author and podcast host Bridgette Mongeon
The author/and host is still looking for artists and vendors who are doing unusual and creative things with 3D technology to feature on both podcasts and in the book, but more than that, there is an immediate need for the first guest for the re-introductory podcasts.
The specifics needed for this first special guest is a guest with a 3D technology website, magazine or blog that has a following and can change things up a bit with a dual interview. In this first podcast, the host will interview the magazine and the magazine will interview the author/host concerning the up and coming book. If you have a publication or you know of a publication that might be interested, please contact the author directly.
We are trying to fill this spot and recorded this podcast before the 6th of April or sooner.
ABOUT THE PODCASTS
The podcasts were originally created in 2010 by host Bridgette Mongeon in conjunction with her last book Digital Sculpting in Mudbox: Essential Tools and Techniques for artists. The Mudbox book was one of the first books to include information on 3D printing, scanning and milling for artists. The podcasts also rounded out her thesis as she completed her MFA in the merging of the fine art studio and 3D technology.
Give a listen to the old podcasts-
Podcast Guests from the Previous Art and Technology Podcasts-2010
- Authors, Mike de la Flor and Bridgette Mongeon speak about Digital Sculpting in Mudbox book Listen from browser
- Robert Michael Smith- pioneer in technology and CNC stone carver Listen from browser
- Joris Debo- talks about advances at Materialise .MGX Listen from browser
- Kevin Gillespie talks his own experiences with copyright and 3D technology Listen from browser
- Digital Scanning with Next Engine Scanner Dan Gustafson Listen from browser
- 3D printing of skin and fine art? Interview with the director of SymbioticA Listen from browser
Podcast Guests For New Podcasts Coming -2014
- Introductory Podcast – YOUR COMPANY HERE-
- Joshua Harker- 3d Printing of fine art, kickstarter and more
- Bathsheba Grossman- pioneer in 3D printing of art, 3D printing in metal and math in art
- 3D Printing of Jewelry with Lisa Kirkawa
- Experiments in 3D printing fused deposition modeling and investment casting
- MCor technology pushing the limits with 3D printing of paper, in full color
- Artists and Digital Stone Project spokesperson Jon Isherwood talks about 3D, and CNC Milling
- Eric Van Straaten talks about 3D printing in color and fine art
There are many, many more scheduled recordings.
About the Author’s new book
3D Technology in Fine Art and Craft.
The audience for the book is both fine artists and graphic artists. Besides the inspiration, the book helps the reader navigate through the tools, processes and vendors in 3D technology. They can then realize their art in the physical world. The book features many different artists their work and inspiration as well as chapters on 3D printing, CNC milling, 3D scanning, modeling and sculpting, copyrights and more. The artists share what they do, how they make their art and why, and where to find their resources. The book makes the transition of incorporating the technology with the traditional craft less daunting and quite a bit of fun.
The Digital Details for The Podcasts
The podcasts, once posted, are public. The links to these incredible conversations can be used on any website, blogs and easily be shared with others. Each interviewee will receive the links to their podcasts to use however they like. If you have a blog, website, 3D magazine, or Facebook page you are welcome to us them as free content for your publication. Subscribe to the podcasts in iTunes and you will know when one is available.
The podcasts, once published, will continue to appear at digitalsculpting.net. They will also be on the new books website- to be announced, and can be found in iTunes and through the authors Facebook page as well as through the authors twitter feed.
SPONSORS
If your company would like to sponsor the Art and Technology podcasts please contact the podcast host directly. This is a great opportunity for vendors and service bureaus. Also available are sponsorship opportunities on the books accompanying website.
_______________________________________________
Bridgette Mongeon is a sculptor, writer, illustrator and educator as well as a public speaker.
Her blog can be found at https://creativesculpture.com.
She is the vice chair of the planning committee for 3DCAMP Houston 2012 and 2013 http://www.3dcamphouston.com
Follow the artists on twitter twitter.com/Sculptorwriter