The Rock

The rock is pretty much complete, thanks to the wonderful milling at Across the Board Creations  They were able to take my digital model of the rocks and enlarge it along with the cat.  It has come in sections so that we can take different sections of the rock down and work on the paws attached to the rock.  We painted the rock to look the same color as the clay.

The foam rock comes in pieces. 
It is like putting a puzzle together. 
Please don’t climb the rock.  Note:  The artist is not responsible
for injuries or death caused by interacting with this sculpture.
Do as I say, not as I do.  It is very tempting.
There is little that needs to be done to the rock.  I have created
a few sitting ledges for photo opportunities.  I will need to
check these out.  I like the design of the rock digitally, but
seeing it this large gives me an opportunity to inspect how
it works in real life. We painted it the same color as the clay.
This will help both my client and I to see how they
work together. 
I have taken the top portion of the rock down to see how
it works with the top most paw. 
Here is the digital version of the entire rock
in about the same position as it is in the picture
where I am pretending to climb. 

The Head

We are spending a lot of time on the tigers head.

The foam still needs more detail and I spend a great deal of time carving and sanding the foam. 
Foundry wax is brushed onto the foam. This gives the clay something to hold onto and makes the removing of the clay much easier.  The clay that is going on this cat has been used in many different projects.  

Each part of the anatomy is looked at very carefully.  Because this sculpture is so large and the face is seen from a distance, an artist must know how to exaggerate features so that they can read when it is complete, in bronze and from a distance. 
The face is taking a tremendous amount of time, but it is what everyone is going to be looking at.  

In A Tigers Mouth

I am becoming very intimate with the mouth of a growling tiger.

 Though the foam armature gives me a base for the sculpture there is still a great deal of sculpting to do. Because the sculpture is in pieces. I can work with the head of the tiger on a comfortable table instead of while balancing on a ladder.

Searching through reference of tigers I find myself becoming intimate with the snarl and growl of a tiger.  Of course their are several looks of a tiger with their mouth open, some give me reference of the teeth and tongue but there is a great deal of difference between a yawn, growl, snarl, and roar.


The foam is carved to add more detail 

Bridgette Mongeon is creating this sculpture for Grambling State University. To watch the entire process you can use the categories on this blog or visit the project blog she created for the client at http://gramblingtiger.blogspot.com/

We Have A Tiger In The Studio- In Pieces

This morning, after we cleaned out some space to receive the sculpture, we awaited for  Acts International Crating . The guys were troopers, they helped us take the crates apart and unload the many puzzle pieces. This weekend we begin to assemble the bases and the bottom portion of the sculpture. I’m thankful the head is not on the body, as I will begin to put some details in the head this weekend. That will be much easier as it sits on the table than if it were up in the air.

The two crates are unloaded with the lift gate
Is that a tiger peaking out? 
I was curious, how does this compare to the Prairie View A & M
Panther.  Well you can see the clay head that I saved it is on top
of the filing cabinet on the left.  The Grambling tiger is on the
right and overpowers that panther.  
An artist in the mouth of a tiger.  So much work to do here, but
these milled armatures sure do help. They give me a good base.
I can’t wait to get my hands on this head.  That is my weekend
goal.  Sculpting a tiger head.  Funny, if you took a picture of me
while I am doing it I am sure you will find that I snarl as I work. 
An artist in the mouth of a tiger.  So much work to do here, but
these milled armatures sure do help. They give me a good base.
I can’t wait to get my hands on this head.  That is my weekend
goal.  Sculpting a tiger head.  Funny, if you took a picture of me
while I am doing it I am sure you will find that I snarl as I work. 

Bridgette Mongeon is creating this sculpture for Grambling State University. To watch the entire process you can use the categories on this blog or visit the project blog she created for the client at http://gramblingtiger.blogspot.com/

Tiger Energy

Where does the inspiration come from?  I am surprised that I feel a tremendous amount of tiger energy as of late.  It comes from the most unusual place, you see last Saturday my daughter had her first baby. I thought it was very strange. For several  months before the baby was born I began to feel like a mother tiger protecting her cub. Don’t mess with my kid during this pregnancy/delivery. I could feel my claws coming out any time someone tried to. So, during the beginning of this project, I feel a tremendous amount of tiger energy.

Bridgette Mongeon is creating this sculpture for Grambling State University. To watch the entire process you can use the categories on this blog or visit the project blog she created for the client at http://gramblingtiger.blogspot.com/

The Tiger Is In Houston!

I ran to the shipping company today to look at the crates that hold all of the many, many pieces of the tiger. It finally arrived in Houston. This is what I found. So this is what a tiger in boxes looks like. Tomorrow it arrives at the studio and we begin to put the entire thing together. Remember that we have been working on this sculpture as a digital model and have sent it out to a milling company to be enlarged. Now this blog will begin to get busy. Keep watching, as their are more posts to come.

I’m so thrilled that Acts International Crating has helped me with getting these from Idaho. A wonderful shipping company. Ask for Lace if you need to ship something somewhere.  She will also be shipping the Neil Armstrong Sculpture to Moscow for me.

A tiger in boxes.  Many, many pieces will be put together
to sculpt the Grambling State Tiger. I look a little overwhelmed.  
No problem. 

Bridgette Mongeon is creating this sculpture for Grambling State University. To watch the entire process you can use the categories on this blog or visit the project blog she created for the client at http://gramblingtiger.blogspot.com/

We Have A Tracking Number… A Tiger In Pieces From… Idaho?

I’m thrilled to have been approached by a new vendor for this project.  This vendor enlarges my tiger sculpture that sits n a virtual world in my computer and enlarges it to  the size that I need it in the real world.  It comes to me as a foam armature.  I’ll still do lots of carving and sculpting on the piece, but having this enlargement process in foam, expedites the processes considerably.

The head of the Tiger in foam. That is a 3 foot pallet on the floor. 

The vendor and I  have been going back and forth for the last 5 weeks, looking at digital files, changing them, comparing notes, searching for the best way to create the Grambling State Tiger. When they started milling it out they kept saying. “My word this is a big sculpture.”  I believe I heard someone say, “I think this is the biggest sculpture of a cat climbing on rocks in the USA.” I’m not sure if this is true, but I’m sure I will be repeating the sentiment, “my this is a big sculpture”  when the milled foam armature gets to me.

We have decided to sculpt the tiger in the studio in two pieces. It is just much safer
for our team.  This image shows how it will be divided up. 

 I’m happy to say that our foam armature is on its way to us from Idaho.   I expect the arrival to be Friday or this weekend, at the latest. The new vendor did send me a few photographs  as they were putting the many pieces together in their own shop.   Yes, the tiger is in many pieces. It will be like a puzzle for us to put them together. Will be sure to show you how our team looks as they figure out what goes where!

The vendor sent this of the foam put together.

Bridgette Mongeon is creating this sculpture for Grambling State University. To watch the entire process you can use the categories on this blog or visit the project blog she created for the client at http://gramblingtiger.blogspot.com/

Shipping Artwork

That pallet is 3′ wide. This is a big sculpture.

I’m learning more and more about shipping of artwork.  I have to say, as with any vendor, great customer service means the world to me.  I have worked with Lace for years. She has shipped my artwork from one edge of the United States to the other, and this year gave me quotes on getting the Neil Armstrong sculpture to Moscow.  When I found out she left the freight company I was using, I was painfully aware of how important it was to have someone you could call and would make sure everything was o.k.  I was so excited to hear her call me from her new company.

Lace, I will follow you wherever you go. I am a fan of your customer service!

These are some big feet!

This time I’m not shipping artwork off, I’m receiving some very large piece of armature from a company in Idaho. You will see some more on that project very soon, 9 working days from tomorrow actually.  As that is how long it will take to get it from Idaho to Houston.

Anytime I work on a job I learn things.  For example, when crating something and needing a lift gate. A lift gate is important for me as my studio is not in a warehouse. My shipping and receiving is my home driveway – my studio is behind my home.  Anyway, to use a lift gate you really should not crate up a piece any wider than 87″ or it will not fit in the doorway of the truck.

Sometimes you have to think about delivery when you are creating projects. We did this with the tiger.  After I get these pieces from Idaho I’m going to have to get the entire bronze to Louisiana. lace offered some suggestions in the width of the project so that it could fit nicely on a flat bed. I hope I revised the design accordingly. I know I will count on Lace to do a good job in shipping.   So, if you need something shipped, give Lace a call.

If you need to reach Lase for an estimate here is her contact information.

Acts Crating & Transportation Services
crating@actsintl.com

Lace
Acts Crating & Transportation Services
7207 B Wynnwood Ln
Houston TX 77008
713-869-2BOX (2269) work
713-969-9009 cell
713-880-3389 fax

Planning

Maybe we will work on the tiger in pieces
It is safer for my interns and myself and
means that we are not held up by finding
warehouse space for a 15 foot tiger. 

Now that we have the green light on the tiger I am spending a good deal of time planning.  We are calling vendors and securing our schedule, and ordering materials.  There was a bit of delay in getting the green light so we have to start over in this planning stage.

Besides planning vendors we are also planning the armature.  Planning an armature is an important element to any sculpture. I always tell students, “if you armature is bad it can ruin your entire sculpture. ”  Just imagine you are working on a large sculpture and all of a sudden it begins to fall over.  In the case of the tiger, it could actually hurt someone.

An armature is what is inside the sculpture to hold it up while we are working on it.  It takes a bit of engineering and a bit of history to know exactly what to do when building an armature.  While I plan I send my plans off to others for them to look at and weigh in.

The main body of the cat will be milled out in foam. The foam, when it is together will probably weigh in at about 160 lbs.  We will be adding wax on top of this as well as clay. This may add approximately another 300+ lbs to the piece.  That is a lot of weight to be so high in the air.

The rocks are another element that has to be created.  This will most likely be sculpted out of a different type of foam and then covered in clay.

We are still figuring the best way to sculpt this tiger.  The artist in me says let’s put him together and work on him, which means I need a warehouse that is about 15 feet and have to move my entire studio.    I like the idea of being able to see him all together.  It also means I’m sculpting very height in the air, on ladders and scaffolding.

Another thought is to sculpt him in two pieces   The first piece will be the rocks and his tail and back legs. The second piece will be the upper half.  This way it is much safer for myself and my interns.  I’m leaning in this direction. Though we will have the basic shape of foam and tiger put together before we separate these two pieces.  So we will be able to see the design as a whole.

More to come.  Meanwhile we are finishing up our last project and moving things around getting ready for the tiger while the vendors are getting our foam ready.  Time before we receive foam should be about 3 weeks.