Posts by Bridgette
The Art Car Parade Is Coming….
A true traveling exhibit-
The Houston, Texas Art Car Parade
By Bridgette Mongeon © 2008
For those of you who don’t know about this crazy event, we have an art car parade, the largest anywhere. Here is an article that I wrote several years ago about the parade, along with some cool pictures. For more information go to http://www.orangeshow.org/art-car/

This past month marked a celebration of a true traveling exhibit. The 2008 Houston, Texas, Art Car Parade is one of the oldest and largest art car parades in the world. 200,000 plus spectators and media from all over the world saw this year’s parade. The art car parade is part of The Orange Show’s Center for Visionary Art and began in 1988 with just 40 vehicles. This year, its 21st anniversary, boasts 280 entrys from over 15 states.
I decided to take my studio apprentice Russo, an exchange student from Georgia (the country between Europe and Asia, not the state) to see this Houston wonder. Everyone should experience these American artistic autos at least once in their life. While on the way to the parade, we were followed by “Shep The Rescued German Shepherd” art car. Or should I say, “We were tailed.” It was at that moment that Russo learned she was in for something quite unusual.
An early arrival to the parade allows for close inspection of each art car, along with some of the colorful characters that seem to accompany the cars and those that the parade draws out from the woodwork. Besides art cars, costumed roller skaters and art bikes are also welcome in the parade.

There is really no other experience like seeing the wild rides exhibited in the art car parade. Russo and I quickly found our favorite cars. On our list was the “Sashimi Tabernacle Choir” created by Richard Carter, John Schroeter and Team Sashimi. The creators of this car mounted singing fish novelties and wired them to the car to sing in unison. The car has over 250 computer-controlled lobsters, bass, trout, catfish, and sharks.

We were also quite fond of “Dekuntry Pedlur” by Rich and Pam Molden. The car made to look like an old fashion country peddler made me think of Ma and Pa Kettle or the Clampetts.

The “Phone Car” by Howard Davis was originally a 1975 Volkswagen Beetle and has a horn that rings like a telephone.
Amber Eagle was inspired by the patron saints of Mexico and created “Lady of Transportation” and won Mayor’s Cup and Participant’s Choice Awards in the parade.


People’s Choice went to a giant chicken car called “HEN-A-TRON II” by Pomponio Napumucino.


“Radio Flyer” by Bob Castaneda also caught our eye as well as the “Crapper Car” by Richard Simcik.
Woodworker Isaac Cohen created a work of art. His car “Splinter” is made of wood. According to the artists My Space Page, ”I built Splinter as a birthday present to myself for my 50th birthday. It took 5,600 hours to complete. Splinter is built on an 89 Honda Accord frame. The body is 21 ft. long and crafted from 4,985 linear strips of ash and walnut.”


It is rumored that Houston Grand Opera’s baritone Liam Bonner was the person singing in the mouth of the art car “Opera To Go” by Perryn Leech.
The parade is one of artistic wonderment, free expression, and a real head turner. Coming home I had the urge to glue, epoxy or create something for my own silver van. You could say it was an obsession that was driving me crazy.
“Keep America’s roads weird, build an art car”
Quote by Tom Jones curator of The Art Car Museum died May 10, 2008 killed by a drunk driver.
The Wining Pose And her Butterfly!

Here is the pose that we decided on for Jenna. Yesterday my husband helped me to create a 3D butterfly for her finger. I’m glad he did as it prompted me to take her hand out a bit further from her face. I’m going to be creating Jenna a bit differently than any other sculpture that I have done before, stay tuned for the details.
Off With His Head, His Arms And…
My apprentice, Russo, and I began the mold making process of the Dick Hathaway sculpture which consists of cutting him up into smaller sections. This freaked Russo out, especially when we cut off the head of the sculpture. My favorite tool in this process is my reciprocating saw. I love this tool, it also comes in handy when trying to divide plants in the garden! I laughed so hard at the expression on Russo’s face as we cut off the body parts and she handed them to me.




This sculpture is created for the TW Wood Gallery in Vermont. Sculptor Bridgette Mongeon has created an entire project blog at https://dickhathaway.blogspot.com/
You may also want to watch the three videos created for this project
The sculpting
The casting
The delivery and installation
The Completed Sculpture Before The Mold Making

Here is a photograph of the Dick Hathaway sculpture just before he went into mold. Bridgette Mongeon will complete the casting of the sculpture before it is sent to its permanent resting place at the TW Wood Gallery in Montpellier, Vermont.
This sculpture is created for the TW Wood Gallery in Vermont. Sculptor Bridgette Mongeon has created an entire project blog at https://dickhathaway.blogspot.com/
You may also want to watch the three videos created for this project
The sculpting
The casting
The delivery and installation
My Apprentice Is An Exchange Student

I have not posted anything about Russo yet. She is an exchange student that has been helping me in the studio. Here is a picture of her working on Professor Hathaway. Russo is from Georgia.
It Pays To Pay Someone Who Knows What They Are Doing
I am excited because I have hired a professional to help with some areas of my website that I just could not figure out, and they did it! There is a bit more they will do and you will soon see this blog with a header and the colors of my https://creativesculpture.com website!
A New Sculpture And A Worthy Cause

I mentioned that I was creating a sculpture of a woman and child on a rock for a special music presentation by the Houston Choral society. Here is a photograph of the completed sculpture and information about the event.
http://www.houstonchoral.org/season
May 2, 2008
Concert at 7:30 p.m.
Our special 20th Anniversary event to be held in the Cullen Theater at the Wortham Center. We will present a commissioned work by Adolphus Hailstork. This concert is a fund-raising event for Neighborhood Centers Inc., a private, nonprofit agency that provides social services to hundreds of thousands of Houston’s low-income children, families and senior citizens.
Is It The Paranormal Or….
imagination? I asked this question in the book that I wrote on sculpting the deceased ( still looking for a publisher) I have had a difficult time with the terms paranormal or psychic, so calling it my imagination appears to be safer.
If you ask some of the parents of my subjects if there is a connection between myself and the deceased they would most likely say yes. One mother said she was almost jelouse. Though most don’t realize that my connection, if there is one is through their love and the bonds that they share.
This morning in the space between awake and asleep I was holding a baby. She slept so soundly and the feeling, as it is when you are holding a sleeping baby, was amazing. I kissed her forehead, and breathed in that baby smell. In my joy of that moment I asked, “who do you belong to?” I know of no babies in my awakening state. No sooner had I said it that the thought came into my mind. This is Jenna! Because I was in that in between state the thought of holding Jenna woke me up. Quickly I closed my eyes and tried to lull myself back to sleep to study her. Look at her features and I always want to look at the hands. I only returned momentarily.
Picking A Pose For A Sculpture To Represent A Life Live

It can’t be easy trying to pick a pose of your child that you want to represent an entire life, the emotion between two individuals or this special persons interaction with the entire world. I think for the most part both Jenna’s mom and I depend on intuition, or maybe even a little guidance from Jenna. Taking some suggestions from Jenna’s mom on a possible revision of poses I raised the head, but intuitively the hand needed to be raised. The pose is the same otherwise.

How about taking out the lower part of the headstone? It changes the feel of the sculpture entirely. Something we may or may not want to consider. When I first saw pictures of Jenna I thought, “she will be in ballet or perhaps Cirque du Soleil” She just seemed to have an intuition about her own body and expressed all emotion through it.
Looking over the few photographs that I have on my computer she is constantly raising one leg. I am really not sure how she did this without losing her balance. I guess I call it a body squeal. Her body cannot contain the joy. I gave her this same enthusiasm in the one-seated post but took out the idea of her sock and replaced it with a butterfly (represented in the poser figure as a ball). I pulled her headstone behind her a bit so as to balance her in her squeal.

Jenna’s mom often referred to the finger plays that they used to do together. I know very little about them but if I close my eyes I can picture Jenna’s enthusiasm, her verbal and body squeals. I pushed the creativity a bit further and decided to shape Jenna’s left hand in a different pose. Instead of an open hand or a pointing finger that might appear in this pose, I shaped her left hand into the sign language shape for “I love you”. As a hidden message to her family and a representation of this very precious game between mom and child.
It was down to the two poses, crawling over the headstone, and taking off the sock. Now I put more things in the mix. I don’t know if this will confuse Jenna’s parents or help them solidify the process. From past experiences of creating posthumous sculpture it usually just all works itself out.
Don’t you just love this Poser program! Making changes and seeing it from all directions is so wonderful.
If you want to see any of the photographs larger, just click on the image.
Memorial Pose Number 3

I worked on one last pose for Jenna. This one shows a 3Dimage of her trying to crawl up on a headstone and touch a butterfly (indicated as a ball on the headstone). Now it will be up to Jenna’s mom to decide on a pose. Modifications will be made as we work through the process. I have at times had epiphanies while sculpting. Changed a pose entirely even after the client and I decided on one. That happened with Patsy. Even though the client was at the photo sitting for the pose, I called them later and said, “I don’t think Patsy would sit this way.” As it turns out they felt the same thing but knew I was so far along on the sculpture they did not know if they could change it. They were relieved that I was intuitive enough to pick up on it, and glad for the change of the pose.
Last night I watched a segment on the public television station about children and cancer. I believe it was called a Lion in the House . It was difficult to watch and made you ever so grateful for your own health and the health of your children. I watched it for Jenna’s mom, for Ellie’s Mom and a recent contact of a 17 year old that died of Leukemia. These are such brave souls to have gone through such a fight. I am very honored to memorialize these individuals, to learn about their life and capture their spirit for everyone to see, to give parents “continuing bonds” through posthumous sculpture. I love my job!
