Looking For an Apprentice… Once Again

Interviewing for an apprentice again.
If you are interested or you know of someone who might be interested in being an apprentice in an art studio, have them contact me. The complete description is listed below.

Houston Sculptor is seeking apprentice.

This job consists of working in a real art studio with a master sculptor as well as in the foundry for bronze casting when necessary. Work is figurative. Your duties would include anything from smoothing clay, helping to make armatures for life size sculpture, assisting artist with working waxes for the bronze process and clean up. The work can get dirty. Desire for art and a commitment is the only prerequisite.

This is not a paying internship however there are sometimes bonuses involved and the learning experience and exposure are invaluable. The artist’s studio is located just north of the 610 loop off of shepherd. Hours are flexible, we can work around your schedule if you can committed to at least 5-10 hours a week. Upon completion of the summer the artist would be happy to write a letter of recommendation for the student for college or job.

If you would like to see some of the artist work or look at how other apprentices have helped check out the blogs listed below.

https://creativesculpture.com/blog/
http://www.dickhathaway.blogspot.com/
Artist’s web site is located at https://creativesculpture.com

Please contact Bridgette through her contact page on her website
And put Intern/Apprentice in the Subject headline. Be sure to let me know when you are available and your desire. If you are under 18 we will need to meet at my studio with your parents and they will be required to sign a consent form.

Judging Culture Shapers Art Show

It was a pleasure to judge the Culture Shapers art show this year. I am not really sure how many years they have been doing this, I just know I have been there from the beginning even before there was a sculpture category. This is a wonderful show for students. With $5,000 prize going to the top contestant in each category it is wonderful exposure for the students.

My judging partners this year were Richard Fielden and Ben Woitena I don’t know about the other judges but I look forward to our time of sharing each year as much as I look forward to the judging.

For those not familiar with the process there were 112 sculpture pieces. Each of the three judges is given yellow post-it’s and we are to choose those pieces that we want to advance. Because each of the three judges is given a post-it packet of 25 we hardly use all of ours. Frankly we tend to agree on the pieces that make the cut.

I continue to say each year, if you did not make the cut, please do not get discouraged. Judging is often subjective and what might not make it in one show might make it in another show. One other suggestion I always tell students is that they must push the work. Often young artists want to “just get something done to put in the show.” You can tell the difference between those works of art and others. Those that advance are ones that continue to grow and change with the process. They are also finished. Always, always go the extra effort with presentation. If you complete a work and glue it to an ugly base or don’t take the extra time and effort to bring it to its completion it shows.

I always like to read the descriptions. Another suggestion is to think this out. The artwork and the piece of paper are the only reflections that we have of the artist. I’d write my coments on another piece of paper and then neatly transfer it to your page, or better yet type it. Don’t forget to proof your sheet. As someone who struggled with grammar and spelling my entire life (but later became a writer) I would not judge an art piece by the student’s ability to spell, but another judge might!

Sometimes comments on this sheet sell me on the art. If you can share some information about our emotional experience with the piece or the difficulty of the process it helps us in the judging and might help in your advancement. Please avoid comments like, “I did this cause I had to come up with something.” Your lack of interest reflects on the work. Even if I liked a piece I might look it over because of the attitude connected with it.

After our first round of cuts we are each a packet of only 5 post-its to place on the pieces we want to advance to the final round. This is the hard part and I often wish I could turn in yellow post-its in the previous section for pink ones at this part of the judging. I was surprised to see that one of the pieces we all thought was strong was disqualified because of copyright concerns. Please be careful of this. If you are unsure of copyright ask you instructors.

If you did not advance into the final round I must say there were two other pieces that I labored over wanting to put in that final round, yours might just have been one of those two, but alas I only had 5 pink post-its.

Each judge is chosen because of our different expertise and experience. It shows in the final selection of 15 pieces. Sometimes I find myself wishing someone would have voted on something else, but then each had their 5 post-its.

These pieces are pulled from the rest and set on tables for us to view.
This year we got to discuss the pieces. I really pushed for this part of the judging process. Up to this point we are not allowed to talk. I must say I have to rely on my fellow judges when it comes to certain type of sculpture. It may be a process that I am not familiar with and I look to them to tell me the difficulty or to help me understand the piece. Also because there are so many pieces you might not really “see” a sculpture until this moment. I still remember the one-year there was the piece of the baby in the box. I am sorry I do not know who did it. At first glance it was nothing, but after you looked at the piece, I mean really looked at it, it grew on you and you began to realize the thought that was put into it. That is what this time is for, to bring to light the parts of apiece that the other judges might not see.

After this we sit down with each piece and score it. This is difficult because you hate to give a low score to someone who has come this far. I mean they made it in the finals and that is a huge achievement. I am forced to put low scores on some because… well there are pieces that are just better, in my opinion, and I want to see them advance. After this is done the administration takes our numbers and puts the final 15 in the order of our numbering. We then get to move the pieces, with very designated rules as to how far they can move. This is where the fighting begins. Not really fight, we just all firmly believe in “our” favorites and want to see them advance. All three judges have to agree on a piece moving. So we talk it out. When we all feel good about the order we are done. The entire process today took about 7 hours of judging including our breakfast and lunch.

As always I wish there was more involvement between students and judges, maybe a judges evening were students could come and see samples of the judges work and ask questions to a panel.

My congratulations to all of the students involved in Culture Shapers. Please feel free to keep in touch with me throughout the year. I can be found at https://creativesculpture.com. There is a forum there where students can post questions if they like.

Keep creating!
Bridgette

The Photo Shoot For Skirt Magazine

The photo shoot was fun. Georgina Langoria my photographer came with me and took photographs of the photographer taking photographs. They had several women that were there for the photoshoot, all being profiled in that January issue of Skirt, and all amazing women in their own right. Everyone else jumped on the trampoline. I brought the little sculpture of David. The photographer is trying to take the photograph so that David is in the clouds and my hair is blowing. They will cut the photograph and only show chest up. I did not have to jump with David and I was thankful, instead I just held him in my hand as he looked over the edge of the building. Check out the January issue to see what the photographer does!

Jumping or Flying in Downtown Houston?

Received a phone call from Skirt Magazine who wants to create a profile on me for their January issue. Trying to set up the photo shoot they asked if I was available on Friday, which was then switched to this morning. I figured they would be coming to the studio to capture me sculpting, but instead she said she would let me know as soon as she found a trampoline!

???

I guess the magazine has themes for each issue, this issue is on taking chances. I sure know a lot about doing that, especially when it comes to business or creativity. I guess I’ll be jumping. That is o.k. I have had a hankering to jump lately. Actually thought it would be fun to get on a trampoline.

A Wonderful Opportunity! Some New Press, And a New Article

My recent article for Best of Artists has just been released. I loved interviewing Gary Staab. His work is incredible! Check out the article.

I have just seen the article for Sculptural Pursuit. The layout is great. They did a wonderful job.

I’m in Oklahoma right now doing some research on an article for Sculpture Review on technology. I am thrilled to be a part of this article and this magazine. I’ll be writing about Synappsys, and the technology involved with the creating of The American. The editor suggested I write the article in first person, which gives me the opportunity to have my own work in this very prestigious magazine.

My Appearance on the Local FOX Station

Yesterday I was featured on the local fox news cast for my book “Bringing to Life the Spirit of the Deceased-A Sculptor’s Journey.” I am presently looking for a publisher, but because of the topic, the halloween season, and the press release that I sent out they featured me. I wish it were a longer segment and I could get into the research behind the science and the psychic and the science behind the emotion with art. Also about the strange occurrences in the book. I am thankful for the segment, but I have to say they were not very organized. I sent a ton of photographs but they did not use them. Oh well, there are always more appearances to come. There is not much you can do in two minutes. If you would like to see it you hopefully this link will work. ( VIDEO NO LONGER AVAILABLE.) IF not you can go to the FOX website and type in Mongeon in the search. The video should come up.

I look forward to getting my new computer so that I can compile some of these topics in audio podcasts and in video. Maybe that will help the producers see the interesting elements and how they go together.

Ah, I wish for someone with the creativity Like producer Manny Santos. He did the channel 8 segment on me years ago. With the right producer this topic would be extremely interesting! I’m trying to get Manny’s channel 8 segment ready to show on the web. It was really great and he won best artist documentary for it.

By the way, I am not sure where they got the God’s Word piece to show, As I did not give it to them and it did not go with this segment. Yet it kept coming up. For those of you who don’t know, God’s Word is a collectible series that I sculpt. ( please note if you go to the God’s Word web site and it is down it is going under a total face lift this week!)

Another notch in the belt, another thing to put on my media page

Video For the Web? Coming Soon

I have been busy trying to locate all of the television footage that has been created on my work and then have it digitized for the web. HUGE learning process for me. I hope to have them displayed soon. In the meantime I keep wishing I had video clips of my research for the book that I have finished “Bringing to Life the Spirit of the Deceased- A Sculptor’s Journey.” I thought there would be some interest in the subject. I sent out many press releases about it. We will see, if not I think I just might look at creating my own videos. In my spare time.

Bridgette

The Speaking Engagement AAt ECVA

The Episcopal Church in Visual Art kick off event was wonderful! Even though I was a little hesitant about speaking. The rest of the speakers were either ministers, worked in a position of ministry in the dioceses or created liturgical art. I wasn’t sure my work was “spiritual” enough to be included, My sculpting is realistic and people understand the concept but, sculpting the deceased is a bit strange, as is the book I am completing, “Bringing to Life the Spirit of the Deceased—A Sculptor’s Journey” describes. When asked to talk about how my faith influences my artwork and my artwork influences my ministry my work is not as blatantly spiritual as liturgical art. Of course the God’s Word Collectible sculpture series that I created and sell on the Internet is blatantly spiritual. But the interesting way God has healed and helped through the ministry of my sculpting the deceased might not be so apparent. Writing the book over the last two years has been a fascinating journey into the process of creating posthumous sculpture, an intimate look at myself as an artist and the spiritual gifts that allow me to do this work with such emotion and passion, as well as the healing that God initiates in my clients. I only wish I would have had more time to share my research behind the science of the emotion felt in the art and the science behind what some refer to as psychic, or my research on the scientific documented steps of the creative process and how it compares to what others describe when they have a spiritual experience, but there was only so much time to talk. I am sure those in the audience that listened to my topic would agree, the artwork is just as deep, meaningful and healing as the liturgical work. It was also good to be reassured that ECVA is for all artists and writers, not just those who create liturgical artwork! It comes down to the Great Creator. He has inspired us all.

Thanks to the members of ECVA-Texas for offering me the opportunity to share and for indulging me as they listened to my woes of finding publishers for my books. I was thrilled to be able to share the children’s book that I recently wrote for my daughter who graduated from college this spring. It was inspired by, of course the Holy Spirit, but also Dr. Suess’ book “Oh the places you’ll go”. My daughter was concerned that she might not pick the correct path and wanted to be in God’s Will. I do hope that one day parents will be giving “God’s Will and God’s Way” to their children as they graduate from high school and college. I did fail to mention that I was reading it for the artists in the audience as well. As my lecture stated, growing up creative and trying to figure out how God wants you to utilize these gifts is not easy. Each of us wants to honor God with our gifts and sometimes you just don’t know how to find God’s will in your life.
I wish I could share the entire book, I cannot, but I would like to share these small excerpts.

There is really no map that defines all the places.
Keep God in your heart, you proceed in His graces.

Sometime it starts with just a small inkling
Of what you might like and what you are thinking.

Take one small step; find a place to advance,
Sometimes you just have to take a small chance.

Other times you’ll think, “I’m proceeding to there.”
Your goal will be firm and your destiny clear.

You’ll think that you are headed from point A to point B
How surprised you will be when you end up at V.

And you’ll say, “Why did I think B was for me?”
And you’ll marvel at the way God took you to V.

Of course there is much more to the book that describes God’s will in our life, but I would like to close with this other excerpt.

God’s will and God’s way, I’m sure you’ll agree,
Will fill your heart up and set your soul free.

Acknowledge his presence in all that you do,
You will find where you walk, God walks that way too.

Excerpts from the children’s book “God’s Will and God’s Way” © 2007 Bridgette Mongeon
(This book is unpublished, publishers inquiries welcome)
Please do not use without permission

Photographs by Georgina Langoria

A Wonderful New Printer!


The internet is a wonderful resource for getting people to see your artwork, but having printed samples is also a vital marketing tool for an artist. I had been searching for a good and reasonable printer. At first I came upon vista print, but read so many things about their billing more to accounts than was necessary that I decided to stay clear of them. It was also important that I keep my printing here in the United States. I spent weeks evaluating different printers. I even signed up for one of those pages were other bid on your printing. I had so many bids coming in it was difficult to keep them all straight. Jenny Gilchrest (jenny@colorprintingcentral.com) at Color Printing Central Jenny e mailed me with an advertisement on the bottom of her contact email about business cards, “buy two get the third free.” So I created three different business card designs and got 3,000 business cards for around$100. Great deal! My husband says I’ll never use 3,000 business cards. He may be correct, but I’ll look forward to proving him wrong. I also had a postcard printed about my marketing workshop. There is much more printing that needs to be done for marketing and the office, but I know that I have found a printer that I am satisfied with and that I can recommend to other artists. Great job Color Printing central!